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2. The Empirical Subject in Question: A Drama of Voices in Aimé Césaire’s Et les chiens se taisaient
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1. “Seeing with the Eyes of the Work” (Adorno): Césaire’s Cahier and Modernist Print Culture 29
- 2. The Empirical Subject in Question: A Drama of Voices in Aimé Césaire’s Et les chiens se taisaient 61
- 3. Poetry and the Typosphere in Léon-Gontran Damas 97
- 4. Léon-Gontran Damas: Writing Rhythm in the Interwar Period 130
- 5. Red Front / Black Front: Aimé Césaire and the Affaire Aragon 176
- 6. To Inhabit a Wound: A Turn to Language in Martinique 204
- Conclusion 231
- Appendix 1. English Translation of Léon-Gontran Damas’s “Hoquet” 243
- Appendix 2. English Translation of Aimé Césaire’s “Calendrier lagunaire” 247
- Notes 249
- Index 319
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1. “Seeing with the Eyes of the Work” (Adorno): Césaire’s Cahier and Modernist Print Culture 29
- 2. The Empirical Subject in Question: A Drama of Voices in Aimé Césaire’s Et les chiens se taisaient 61
- 3. Poetry and the Typosphere in Léon-Gontran Damas 97
- 4. Léon-Gontran Damas: Writing Rhythm in the Interwar Period 130
- 5. Red Front / Black Front: Aimé Césaire and the Affaire Aragon 176
- 6. To Inhabit a Wound: A Turn to Language in Martinique 204
- Conclusion 231
- Appendix 1. English Translation of Léon-Gontran Damas’s “Hoquet” 243
- Appendix 2. English Translation of Aimé Césaire’s “Calendrier lagunaire” 247
- Notes 249
- Index 319