Dominique Nasta's overview of hte history of Romanian cinema is a welcome one.

Critically astute, well informed and engagingly written, this book provides a fascinating narrative of contemporary Romanian cinema and its rise to international prominence since the fall of communism... Nasta has written a bopk that is itself something of a miracle.

Brandon Konecny:
Contemporary Romanian Cinema is both impressive and worthwhile, and it marks a major contribution to the study of world cinema.

Cristina Corciovescu, Film Critic:
In her attempt to explore the inner mechanisms of unprecedented cinematic success, Dominique Nasta does not suppress her Romanian insights but manages to keep a necessary distance to guarantee an academic rigorousness in this scrutiny of the Romanian cinema after 2000. The pertinent detection of the roots of the "new wave", the judicious delimitations of its stages, the detailed analyses of those films which brought a worldwide celebrity to this rebirth, all make Contemporary Romanian Cinema a unique book about a unique phenomenon.

Dudley Andrew, Yale University:
Every national cinema should envy Romania for having someone like Dominique Nasta to chronicle its history. This book, like Romanian cinema itself, provides unexpected discoveries decade to decade, while leading us authoritatively and dramatically to the recent masterpieces that have put Romania firmly on the cinephile's map. This will be the definitive book on this important cinema.

Mihai Chirilov, Artistic Director, Transylvania International Film Festival:
Providing historical context and bringing to light hidden gems, this compelling and extremely well-documented book draws connections between Romanian cinema's past and present, answering the most difficult question: how was the miracle of the New Wave possible? Nasta's analysis is simply the best work written so far on this subject. The Romanian cinema, old and new, rightfully deserves this considered treatment.

Tim Bergfelder, University of Southampton:
Informative, detailed, and written with clearly evident passion, this volume provides an engaging account of contemporary Romanian cinema and its dramatic transformation from being one of the least well-known film cultures in Europe to an almost phoenix-like renaissance after the fall of Communism. By exploring not only nationally specific contexts, but also issues such as co-productions, exile, diaspora, and other forms of global circulation, Nasta demonstrates that far from being a peripheral phenomenon, Romanian cinema has a central place within discussions of world cinema.