Columbia University Press
How Did Lubitsch Do It?
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Author / Editor information
Reviews
James Naremore, Indiana University:
Although Ernst Lubitsch is one of the wittiest, most entertaining, and sexiest of filmmakers, he’s difficult to write about because wit and humor are more resistant to analysis than drama. McBride succeeds admirably in this task, providing a comprehensive, in-depth critical analysis and commentary on the cultural significance of Lubitsch’s work. His book is a joy to read and a gift to anyone who cares about the art of film.
David Bordwell, University of Wisconsin-Madison:
Ernst Lubitsch’s work has never needed reappraisal more than it does today, and McBride is just the writer for the job. As usual, he mobilizes formidable research and passionate sympathy to probe a great director’s many sides. We see Lubitsch the ethnic comedian, the exile, the romantic, the sardonic satirist, the sly provocateur, the moralist, the supremely confident master of technique. Above all, we see an artist who poured into film after film his keen sensitivity to the vagaries of love and his tolerant wisdom about the ways of the world.
Molly Haskell, author of From Reverence to Rape: The Treatment of Women in the Movies:
McBride subtly and concretely describes the change in cinematic tastes over the course of a century. We who love cinema and Lubitsch should be grateful to have such a book in our lifetime, and it will be the definitive work for years to come.
Jonathan Lethem, author of Motherless Brooklyn:
Joseph McBride’s study of Lubitsch matches the breadth and range of his incomparable work on Welles and Ford. Reading it, it is impossible not to want to see each of the director’s greatest films again or for the first time – readers will be driven straight to seek out not only the repertory standards but the silents, the musicals, and the German films. It is especially gratifying to see McBride apply his supple understanding of the intricacies of Lubitsch’s sexual politics to the paradoxes lurking for contemporary viewers, exploring how the films play both against and into feminist readings. McBride doesn’t shy from such explorations, but never leaps to premature conclusions. The book is an act of devotion matched to the heart of its subject.
Topics
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Frontmatter
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Contents
vii -
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Introduction: “How Did Lubitsch Do It?”
1 -
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1. “Herr Ernst Lubitsch”
35 -
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2. “Who Is Ernst Lubitsch?”
91 -
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3. The “Berlin Style” in Hollywood
135 -
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4. Tin Cans in a Warehouse?
187 -
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5. “Give Me a Moment, Please”
231 -
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6. “In Times Like These ...”
273 -
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7. Master of the Ineffable
331 -
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8. The Aging Master
385 -
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9. The Door Closes
425 -
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Epilogue: The Importance of Being Ernst
461 -
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Acknowledgments and Influences
481 -
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Filmography
493 -
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Notes on Sources
503 -
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Index
535