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The Habima–Israel’S National Theater 1917–1977. a Study of Cultural Nationalism
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Emanuel Levy
Language:
English
Published/Copyright:
1979
About this book
Examines the political, ideological, and artistic roles of the Habima theater between its founding in Moscow in 1917 to the 1970s. It attempts to identify underlying patterns of change in the roles, structure, and functions of the Habima theater, with its major objective to describe the specific changes in its ideology, mission, repertoire, organization, and audiences between 1917 and 1977 and to analyze the causes and consequences of those changes.
Topics
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Frontmatter
I -
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Contents
VII -
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Tables
IX -
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Acknowledgments
XI -
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Introduction
XV - Part One. The Habima in Moscow: 1917–1926
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1. The Founding Group
3 -
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2. Ideology and Repertoire: 1917–1926
20 -
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3. The Social Context: Jewish and Russian
43 -
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4. The Social Structure of the Habima
62 - Part Two. The Habima in Transition: 1926–1931
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5. The Habima in Europe and the United States
79 -
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6. The Search for a Permanent Home
94 - Part Three. The Habima in Palestine: 1931–1948
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7. Ideology and Repertoire: 1931–1948
115 -
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8. The Habima and the Jewish Community of Palestine
134 -
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9. Organizational Structure: The Actors’ Collective
156 -
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10. Organizational Structure: Artistic and Administrative Direction: 1931–1948
171 - Part Four. The Habima in the State of Israel: 1949–1977
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11. Ideology and Repertoire: 1949–1968
191 -
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12. The Habima and Israeli Society
213 -
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13. Organizational Structure: Artistic and Administrative Direction: 1949–1968
240 -
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14. The Search for an Artistic Identity: 1969–1977
257 -
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Conclusion
279 -
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Appendixes
289 -
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Notes
311 -
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Selected Bibliography
329 -
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Index
337
Publishing information
Pages and Images/Illustrations in book
eBook published on:
May 6, 2019
eBook ISBN:
9780231883375
Pages and Images/Illustrations in book
Main content:
346
eBook ISBN:
9780231883375
Audience(s) for this book
College/higher education;
