Columbia University Press
Videophilosophy
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Translated by:
About this book
Author / Editor information
Jay Hetrick is Assistant Professor of Art History and Theory at the College of Fine Arts and Design, University of Sharjah.Maurizio Lazzarato is a philosopher and sociologist. In the 1970s, he was involved with the Autonomia Operaia movement in Italy and was a founding member of the French journal Multitudes. His books in English include Signs and Machines: Capitalism and the Production of Subjectivity (2014) and Governing by Debt (2015).
Jay Hetrick is assistant professor of art history and theory at the College of Fine Arts and Design, University of Sharjah.
Reviews
How can time become crystallized in machines? From the cinematic image to the computational image of digital technologies, the artificial dilatation and construction of time has become equivalent to processes of thought. Videophilosophy takes you on a journey across these machinic syntheses of time, inaugurating a much-awaited media theory binding together materiality and technology in an unprecedented fashion.
Gary Genosko, author of When Technocultures Collide: Innovation from Below and the Struggle for Autonomy:
This elegant translation makes available to Maurizio Lazzarato's growing English readership the theoretical cornerstone of his intellectual project, and puts into context his collaborative practice in video art. Videophilosophy makes an indispensable contribution to the philosophy of time and technology amidst and against the proliferation of contemporary capitalist subjectivities.
Timothy Murphy, author of Antonio Negri: Modernity and the Multitude:
Like his comrade Antonio Negri, Maurizio Lazzarato has dedicated himself to exploring the less-traveled paths of modern thought in search of alternatives to capitalist modernity. In Videophilosophy, that exploration produces stunning results. Drawing on Bergson, Nietzsche, Vertov, Nam June Paik, and Bill Viola, Lazzarato constructs an innovative and compelling sequel to two of the most revolutionary texts in media studies: Gilles Deleuze's Cinema books and Walter Benjamin's 'The Work of Art in the Age of Its Technological Reproducibility.'
Topics
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Frontmatter
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CONTENTS
vii -
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LAZZARATO’S POLITICAL ONTO- AESTHETICS
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INTRODUCTION
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1. THE WAR MACHINE OF THE KINO- EYE AND THE KINOKI AGAINST THE SPECTACLE
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2. BERGSON AND MACHINES THAT CRYSTALLIZE TIME
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3. VIDEO, FLOWS, AND REAL TIME
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4. BERGSON AND SYNTHETIC IMAGES
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5. NIETZSCHE AND TECHNOLOGIES OF SIMULATION
139 -
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6. THE ECONOMY OF AFFECTIVE FORCES
169 -
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7. THE CONCEPT OF COLLECTIVE PERCEPTION
199 -
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AFTERWORD Videophilosophy Now- an Interview with Maurizio Lazzarato
227 -
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NOTES
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INDEX
263