5 Disposition

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Preface xi
4. Acknowledgments xv
5. General Introduction 1
6. Part 1 Studies of Totalitarianism, Propaganda, and the Masses (1936– 1940)
7. INTRODUCTION 37
8. 1 Exposé. Mass and Propaganda. An Inquiry Into Fascist Propaganda 49
9. 2. Totalitarian Propaganda 56
10. 3 Abridged Restricted Schema 107
11. 4 Schemata 109
12. 5 Disposition 113
13. Part 2 The Caligari Complex (1943– 1947)
14. INTRODUCTION 127
15. 6. The Conquest of Europe on the Screen: The Nazi Newsreel, 1939– 40 135
16. 7 The Hitler Image 152
17. 8. Below the Surface: Project of a Test Film 155
18. Part 3 Postwar Publics (1948– 1950)
19. INTRODUCTION 211
20. 9 Re- education Program for the Reich 217
21. 10 How and Why the Public Responds to the Propagandist 220
22. 11 Popular Advertisements 223
23. 12 A Duck Crosses Main Street 233
24. 13 National Types as Hollywood Presents Them 238
25. 14 Deluge of Pictures 263
26. Part 4 Cold War Tensions (1952– 1958)
27. INTRODUCTION 267
28. 15. Appeals to the Near and Middle East: Implications of the Communications Studies Along the Soviet Periphery 275
29. 16 Attitudes Toward Various Communist Types in Hungary, Poland, and Czechoslovakia 309
30. 17 Proposal for a Research Project Designed to Promote the Use of Qualitative Analysis in the Social Sciences 316
31. 18 The Challenge of Qualitative Content Analysis 322
32. 19 On the Relation of Analysis to the Situational Factors in Case Studies 333
33. 20 The Social Research Center on the Campus 350
34. Appendix 1: “Report on the Work ‘Totalitarian Propaganda in Germany and Italy’ by Siegfried Kracauer, pp. 1– 106” 391
35. Appendix 2 Siegfried Kracauer and the Early Frankfurt School’s Analysis of Fascism as Right- Wing Populism 395
36. Bibliography 423
37. Sources 431
38. Index 435