Andreas Huyssen, Columbia University:
On Slowness is predicated on the common notion that speed, acceleration, and catastrophic events are at the core of modernism. Lutz Koepnick shows that this view is too simplistic as there always were retarding aspects and slow movements within modernism itself. Koepnick's readings of specific art works and interventions are compelling and encourage the reader to think of other examples, to question how temporality and space are lived and represented today, to ask what aesthetic strategies can be persuasive in our world and why.

Nora M. Alter, Temple University:
Lutz Koepnick's understanding of the contemporary phenomenon of 'slowness' is refreshingly optimistic and energetic. It propels the reader to discover his or her own instances of slowness amid the dizzying culture of speed in which we find ourselves enmeshed. Through close and careful analyses of select primarily visual works, Koepnick constructs a thesis of contemporary 'slowness' that is in dialogue with theories of modernity and engaged with the potentiality of contemporaneity. A rigorous thinker, Koepnick brilliantly presents new material and theoretical analyses in a form that is compelling and accessible.