Internet Literature in China

Elisabeth Schleep:
Essential reading for any researcher interested in Chinese Internet literature and Internet culture.

Giorgio Strafella:
Michel Hockx's Internet Literature in China constitutes a path-breaking study on this huge phenomenon and makes a crucial contribution to the mapping of the country's complex and varied system of online literary communities.... Essential reading not only for literary and Internet scholars within the field of Chinese studies, but also for anyone interested in contemporary Chinese culture and society.... Students and non-specialist readers will equally be grateful to Michel Hockx for writing such an easily accessible, informative and engrossing book.

Chu Shen:
Hockx enables readers to get a vivid and interesting glimpse into the ingenuity, fluidity, interactivity, and transgressiveness of postsocialist China's important cultural phenomenon.

Shuang Xu:
Michel Hockx's book is the first Western study to provide a global introduction to online literature in China.... In sum, this is an important contribution, not only to Chinese studies but also to the study of digital literature elsewhere in the world.

Casey Brienza:
Internet Literature in China is a fantastic and novel contribution to the study of literary production in the digital age, and one that is bound to appeal far beyond the field of Chinese literature.

[Internet Literature in China] provides engaging representative snapshots of this digital literary and subliterary universe.... Essential.

Ross Perlin:
Hockx has documented a fascinating moment in time.

Geremie R Barmé, creator of The China Story (www.thechinastory.org):
This important account of the other China is timely and incisive. It reveals a virtual People's Republic that is furtive, creative, and resilient. Hockx speaks insightfully of China's post-socialist past and guides us toward its gravid and disruptive future.

Lydia H. Liu, author of The Freudian Robot: Digital Media and the Future of the Unconscious:
Michel Hockx provides a rare look at the processes of social transformation that have touched the intimate lives of people and communities through web portals, apps, microblogs and other online media. His refreshing ethnography captures a precarious moment of postsocialist literary innovation, transgression, and aberrations in its full complexity. This book is the best introduction available in English to the psychic landscape of contemporary Chinese netizens who know how to play with censors to articulate their personal desires, fantasies, phobias, and exhibitionism.

N. Katherine Hayles, author of How We Think: Digital Media and Contemporary Technogenesis:
Internet Literature in China is one of the first books to survey the field of electronic literature in China, and Hockx's analyses show the complex interrelations between literary production, internet technologies, and social contexts in postsocialist China. His conclusions challenge and extend received wisdom about how digital technologies affect literary productions in Western contexts. For example, he argues that innovative effects do not require and are not limited to nonlinearity in literary texts. This excellent book should be read by every serious scholar of digital literature, especially those who have based their ideas solely on Western contexts.

Daria Berg, University of St. Gallen:
A pioneering effort that will set a milestone in the research of online literature and will be a reference work for students and researchers for years to come.

Guobin Yang, author of The Power of the Internet in China: Citizen Activism Online:
As a well-known figure in the field of modern Chinese literature, Hockx is well positioned to bridge the gap between literary studies and internet culture. His book will become a standard citation in Chinese internet studies.