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20. The Digital Domain of Die Another Day (2002)
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Christopher Holliday
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments ix
- Introduction: James Bond— Agent of Continuity and Change 1
- 1. Bond and the New Elizabethans: Tradition and Modernity in Dr. No (1962) 13
- 2. “A Real Labour of Love, as They Say”: James Bond as a Sexual Plaything in From Russia with Love (1963) 25
- 3. The Midas Touch: Eastmancolor, the Bond Franchise, and Goldfinger (1964) 36
- 4. The Popular Geopolitics of Thunderball (1965): Look Up, Look Down, and Look Everywhere! 48
- 5. Bond in the East: Orientalism and the Exotic in You Only Live Twice (1967) 60
- 6. The Other Fellow: On Her Majesty’s Secret Service (1969) 71
- 7. Diamonds Are Forever (1971): 007 and Transatlantic States of Emergency 83
- 8. From Harlem to San Monique: Spatial Dichotomies, Voodoo, and Cultural Identity in Live and Let Die (1973) 95
- 9. “We All Get Our Jollies One Way or Another”: The Perversity and Pleasure of Christopher Lee in The Man with the Golden Gun (1974) 108
- 10. Nobody Does It Better: “Keeping the British End Up” at a Time of National Crisis in The Spy Who Loved Me (1977) 120
- 11. Moonraker (1979) and the Canvas of Escapism 131
- 12. The Spectre of Death: Revenge and Retribution in For Your Eyes Only (1981) 143
- 13. The (Clown) Suited Hero: James Bond, Costume, Gender, and Disguise in Octopussy (1983) 155
- 14. Scowls and Cowls: Grace Jones, Costume Design, and A View to a Kill (1985) 167
- 15. “A Time When Indiscriminating Bed- Hopping Is Definitely Not Advisable”: Safe- Sex References in the UK Press Reception of The Living Daylights (1987) 179
- 16. Bond in the New World Orders: Licence to Kill (1989) 190
- 17. Cold War Nostalgia, (Geo)Political Progress, and James Bond in GoldenEye (1995) 202
- 18. Bond by the Numbers: Tomorrow Never Dies (1997) 212
- 19. Bond at the Crossroads: The World Is Not Enough (1999) 225
- 20. The Digital Domain of Die Another Day (2002) 238
- 21. What Matters More: Hierarchies of Value in Casino Royale (2006) 253
- 22. “Like a Bullet . . .”: Speed, Economy, and Canonical Continuity in Quantum of Solace (2008) 264
- 23. “Sometimes the Old Ways Are the Best”: Technology and the Body in a Gothic Reading of Sam Mendes’s Skyfall (2012) 276
- 24. “It’s Always Been Me”: Spectrality, Hauntings, and Retcon in Spectre (2015) 288
- 25. No Time to Die (2021) and The Spy Who Loved #MeToo? 300
- Selected Bibliography 315
- Contributors 317
- Index 323
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments ix
- Introduction: James Bond— Agent of Continuity and Change 1
- 1. Bond and the New Elizabethans: Tradition and Modernity in Dr. No (1962) 13
- 2. “A Real Labour of Love, as They Say”: James Bond as a Sexual Plaything in From Russia with Love (1963) 25
- 3. The Midas Touch: Eastmancolor, the Bond Franchise, and Goldfinger (1964) 36
- 4. The Popular Geopolitics of Thunderball (1965): Look Up, Look Down, and Look Everywhere! 48
- 5. Bond in the East: Orientalism and the Exotic in You Only Live Twice (1967) 60
- 6. The Other Fellow: On Her Majesty’s Secret Service (1969) 71
- 7. Diamonds Are Forever (1971): 007 and Transatlantic States of Emergency 83
- 8. From Harlem to San Monique: Spatial Dichotomies, Voodoo, and Cultural Identity in Live and Let Die (1973) 95
- 9. “We All Get Our Jollies One Way or Another”: The Perversity and Pleasure of Christopher Lee in The Man with the Golden Gun (1974) 108
- 10. Nobody Does It Better: “Keeping the British End Up” at a Time of National Crisis in The Spy Who Loved Me (1977) 120
- 11. Moonraker (1979) and the Canvas of Escapism 131
- 12. The Spectre of Death: Revenge and Retribution in For Your Eyes Only (1981) 143
- 13. The (Clown) Suited Hero: James Bond, Costume, Gender, and Disguise in Octopussy (1983) 155
- 14. Scowls and Cowls: Grace Jones, Costume Design, and A View to a Kill (1985) 167
- 15. “A Time When Indiscriminating Bed- Hopping Is Definitely Not Advisable”: Safe- Sex References in the UK Press Reception of The Living Daylights (1987) 179
- 16. Bond in the New World Orders: Licence to Kill (1989) 190
- 17. Cold War Nostalgia, (Geo)Political Progress, and James Bond in GoldenEye (1995) 202
- 18. Bond by the Numbers: Tomorrow Never Dies (1997) 212
- 19. Bond at the Crossroads: The World Is Not Enough (1999) 225
- 20. The Digital Domain of Die Another Day (2002) 238
- 21. What Matters More: Hierarchies of Value in Casino Royale (2006) 253
- 22. “Like a Bullet . . .”: Speed, Economy, and Canonical Continuity in Quantum of Solace (2008) 264
- 23. “Sometimes the Old Ways Are the Best”: Technology and the Body in a Gothic Reading of Sam Mendes’s Skyfall (2012) 276
- 24. “It’s Always Been Me”: Spectrality, Hauntings, and Retcon in Spectre (2015) 288
- 25. No Time to Die (2021) and The Spy Who Loved #MeToo? 300
- Selected Bibliography 315
- Contributors 317
- Index 323
