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IX. Translations and Studies of the Russian Epos in the Second Half of the Nineteenth Century
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Chapters in this book
- Frontmatter I
- Foreword V
- Preface VII
- Contents IX
- I. The Russian Folk Epos in the Eighteenth and Early Nineteenth Centuries 1
- II. The Czech Revival and Russia 30
- III. First Influences of Russian Folk Poetry in Czech Literature 43
- IV. The Climax of the Czech Pre-Romantic Movement: The Work of F. L. Čelakovský 64
- V. Josef Jaroslav Langer 104
- VI. Echoes of Russian Epic Influence in Czech Poetry of the Mid-Nineteenth Century 118
- VII. The Russian Epos and Czech-Slovak Scholarship of the Romantic Period 128
- VIII. Czech Literature and Russia, 1860–1900 139
- IX. Translations and Studies of the Russian Epos in the Second Half of the Nineteenth Century 146
- X. Cosmopolitanism and Nationalism: Karel Leger, František Kvapil, František Chalupa 158
- XI. Realism in Czech Poetry: František Táborský 180
- XII. Czech Cosmopolitanism and Neo-Romanticism: Julius Zeyer 185
- XIII. Conclusion 221
- Appendix: Sumarokov’s “Chorus to a Perverse World” 233
- Notes 239
- Bibliography 265
- Index 273
Chapters in this book
- Frontmatter I
- Foreword V
- Preface VII
- Contents IX
- I. The Russian Folk Epos in the Eighteenth and Early Nineteenth Centuries 1
- II. The Czech Revival and Russia 30
- III. First Influences of Russian Folk Poetry in Czech Literature 43
- IV. The Climax of the Czech Pre-Romantic Movement: The Work of F. L. Čelakovský 64
- V. Josef Jaroslav Langer 104
- VI. Echoes of Russian Epic Influence in Czech Poetry of the Mid-Nineteenth Century 118
- VII. The Russian Epos and Czech-Slovak Scholarship of the Romantic Period 128
- VIII. Czech Literature and Russia, 1860–1900 139
- IX. Translations and Studies of the Russian Epos in the Second Half of the Nineteenth Century 146
- X. Cosmopolitanism and Nationalism: Karel Leger, František Kvapil, František Chalupa 158
- XI. Realism in Czech Poetry: František Táborský 180
- XII. Czech Cosmopolitanism and Neo-Romanticism: Julius Zeyer 185
- XIII. Conclusion 221
- Appendix: Sumarokov’s “Chorus to a Perverse World” 233
- Notes 239
- Bibliography 265
- Index 273