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Introduction

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1. Revenge of the Text 14
  6. 2. Language as Material 34
  7. 3. Anticipating Instability 63
  8. 4. Toward a Poetics of Hyperrealism 83
  9. 5. Why Appropriation? 109
  10. 6. Infallible Processes: What Writing Can Learn from Visual Art 125
  11. 7. Retyping On the Road 150
  12. 8. Parsing the New Illegibility 158
  13. 9. Seeding the Data Cloud 175
  14. 10. The Inventory and the Ambient 188
  15. 11. Uncreative Writing in the Classroom: A Disorientation 201
  16. 12 Provisional Language 218
  17. Afterword 222
  18. Notes 229
  19. Source Credits 245
  20. Index 247
Uncreative Writing
This chapter is in the book Uncreative Writing
https://doi.org/10.7312/gold14990-018

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1. Revenge of the Text 14
  6. 2. Language as Material 34
  7. 3. Anticipating Instability 63
  8. 4. Toward a Poetics of Hyperrealism 83
  9. 5. Why Appropriation? 109
  10. 6. Infallible Processes: What Writing Can Learn from Visual Art 125
  11. 7. Retyping On the Road 150
  12. 8. Parsing the New Illegibility 158
  13. 9. Seeding the Data Cloud 175
  14. 10. The Inventory and the Ambient 188
  15. 11. Uncreative Writing in the Classroom: A Disorientation 201
  16. 12 Provisional Language 218
  17. Afterword 222
  18. Notes 229
  19. Source Credits 245
  20. Index 247
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