Columbia University Press
For His Eyes Only
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Reviews
Sarah Gilligan, Hartlepool College:
This extensive yet accessible collection forms a vital and timely addition to the existing academic literature on the Bond franchise. Drawing together international and interdisciplinary perspectives, the book offers diverse critical approaches to the close analysis of gender, sexuality, ethnicity, age, national identity and power in the films. It is essential reading for students and scholars alike.
Estella Tincknell, University of the West of England:
This comprehensive and impressive collection of essays is essential for those working within the burgeoning area of 'Bond studies'. It covers a broad spectrum of topics, from the colonisation of the black and Asian female agent's body to the franchise's troubled negotiation of patriarchy and feminism, and from the articulation of female desire to the problem of female authority in the Bond fantasy. The book is absolutely up to date, with a whole section devoted to Skyfall and to Judi Dench's legacy as M. Containing contributions from established and emerging scholars, its combination of breadth and depth makes it both a pleasure to read and an important addition to the literature on the subject.
Claire Hines, Southampton Solent University:
At long last, a book about the women of Bond that not only fills a gap in Bond scholarship but also contributes to a wider understanding of the representation of women, and the relationship between gender politics and the media. This is an eye-opening collection for anyone who wants to see beyond the iconic images from past and present to consider that the world of Bond is nothing without women, and that understanding the representation of women in the franchise is a complex process.
Topics
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Frontmatter
i -
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Table of Contents
v -
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Acknowledgements
ix -
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Contributor List
xi -
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Foreword
xvii -
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Introduction. The Women of James Bond
1 - Section 1. From Novel to Film
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1. “Women Were for Recreation”
9 -
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2. The Bond Girl who is not There
18 -
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3. James Bond and Female Authority
28 - Section 2. Desiring the Other
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4. Desiring the Soviet Woman
41 -
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5. “The Old Ways are Best”
51 -
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6. Bond’s Bit on the Side
60 -
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7. The Politics of Representation
70 -
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8. Objects of White Male Desire
79 - Section 3. Feminist Critiques and Movements
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9. “Never Trust a Rich Spy”
91 -
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10. “This Never Happened to the Other Fellow”
101 -
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11. “What Really Went on up there James?”
110 -
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12. Sisterhood as Resistance in for your Eyes only and Octopussy
119 -
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13. Bond is not enough
128 - Section 4. Gendered Conventions
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14. Female Bodies in the James Bond Title Sequences
139 -
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15. Random Access Mysteries
148 -
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16. Pussy Galore
157 -
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17. Female Voice and the Bond Films
167 -
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18. Designing Character
176 - Section 5. Female Agency and Gender Roles
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19. Secret Agent Nuptials
187 -
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20. The Spy who Fooled me
196 -
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21. “Women Drivers”
205 -
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22. “It’s not for Everyone”
214 -
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23. “Who is Salt?”
224 - Section 6. Judi Dench’s Tenure as M
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24. From Masculine Mastermind to Maternal Martyr
237 -
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25. M, 007, and the Challenge of Female Authority in the Bond Franchise
246 -
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26. “M”(O)Thering
255 -
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27. Mothering the Bond-M Relation in Skyfall and the Bond Girl Intervention
265 -
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28. Property of a Lady: (S)Mothering Judi Dench’s M
274 -
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Bibliography
284 -
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Index
299