Thomas Doherty is professor of American studies at Brandeis University. His previous books include Hollywood and Hitler (Columbia University Press, 2013); Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934 (CUP, 2009); Cold War, Cool Medium: Television, McCarthyism, and American Culture (CUP, 2005); and Hollywood's Censor: Joseph I. Breen and the Production Code Administration (CUP, 2009).Thomas Doherty is professor of American studies at Brandeis University. His previous Columbia University Press books include Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934 (1999); Cold War, Cool Medium: Television, McCarthyism, and American Culture (2003); Hollywood’s Censor: Joseph I. Breen and the Production Code Administration (2007); and Hollywood and Hitler, 1933–1939 (2013).

Doherty thoroughly chronicles the HUAC circus, with its parade of well-known stars—both defiant (screenwriters Dalton Trumbo) and reluctant (Humphrey Bogart)—and accusers, such as Rep. J. Parnell Thomas. . . . For readers who appreciate both Hollywood's golden age and the postwar politics that animated it.

A shameful interlude in American history highly relevant to today’s political divisions.

A riveting, exhaustive look at the 1947 House Un-American Activities Committee investigation into Communists in the film industry. . . . In the current era of legislative upheaval, Doherty’s vital, impressive history feels both relevant and urgent.

A thorough and lively chronicle of a shameful episode in American political and entertainment history.

Steven Ross, author of Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America:
Doherty is one of the best, if not the best, writers in the American studies world today, and has produced an excellent book that will command a great deal of attention. Show Trial sheds new light on the story of the Hollywood Ten and HUAC and does it in fresh and exciting ways. One of the book’s greatest strengths is that it stays away from familiar academic debates that focus heavily on politics and instead tells a character-driven story using quotes from a wide variety of contemporaneous participants. Doherty places the personalities of the era—left and right—on center stage. This is easily the most comprehensive and comprehensible study of HUAC and the Hollywood Ten to date, and I predict it will become the book to read on this topic.

Jon Lewis, author of Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles:
Thomas Doherty’s Show Trial is a uniquely pragmatic history of the Hollywood Blacklist—a big book on a big topic that ruthlessly defies and confounds orthodoxy at every turn. No book in print provides a fuller accounting of the hearings themselves. And no author to date gives his readers so much room to appreciate and understand who said what and why.

J. Hoberman, author of An Army of Phantoms: American Movies and the Making of the Cold War:
Thomas Doherty’s fans, of whom I am one, know he is a first-rate film historian with a sharp eye for political theater as well as a stylish writer with a knack for turning a phrase. Show Trial gives a thorough, well-contextualized, clear-eyed, and witty account of the 1947 HUAC “Hollywood Ten” hearings, full of pithy characterizations and choice bits of business.