Columbia University Press
Feeling Memory
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Feeling Memory provides a nuanced and sophisticated explication of how the emotional content of memory shapes the remembered past into the present. Dodd contends that all historians—not just oral historians—need to take affective forms of knowledge more seriously and to search for the traces of feelings in their sources and analyses. The memory stories that are at the heart of the book are truly engaging and often moving. They make the book come alive.
Michael Roper, author of Afterlives of War: A Descendants' History:
In a compelling mixture of theory, reflections on method, and vivid vignettes, Feeling Memory explores the emotions that animate and bind memory in oral history. Its insights extend well beyond the interview, however: Dodd shows what a history of emotions can achieve once affect is seen not just in terms of social prescriptions but as the glue that binds memory and relationships past and present.
Kathleen C. Stewart, author of Ordinary Affects:
Feeling Memory theorizes a history of a present where events matter, memories stick and accrete, time ruptures, experiences generate, and little worlds proliferate around sounds, rhythms, and things. It experiments, listening for the intensities and unknown potential of an affective history from the inside out where the things of the world speak differently to one another.
Shannon L. Fogg, author of Stealing Home: Looting, Restitution, and Reconstructing Jewish Lives in France, 1942-1947:
Feeling Memory deftly weaves together 'memory stories' and the latest scholarship to provide an entirely fresh approach to World War II in France. The result is a richly textured, nuanced study of the emotions of history that offers us new ways to think about children’s experiences and the places and events that shape our memory of the past.
Alessandro Portelli, author of The Text and the Voice: Writing, Speaking, Democracy, and American Literature:
A sensitive and imaginative exploration of the connections among war, childhood, and memory that demonstrates the meaning of emotions and feelings as historical forces.
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Frontmatter
i -
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CONTENTS
vii -
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ACKNOWLEDGMENTS
ix -
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CHRONOLOGY
xi -
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A NOTE ON TRANSCRIPTION AND TRANSLATION
xvii -
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INTRODUCTION
1 -
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POSITIONING
28 - PART 1: MEMORIES FELT
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INTRODUCTION
51 -
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CHAPTER 1. ARTICULATED FEELING
55 -
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CHAPTER 2. AFFECTS AND INTENSITIES
85 - PART 2: MEMORIES LOCATED
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INTRODUCTION
107 -
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CHAPTER 3. THE WEIRDNESS OF MEMORY TIME
114 -
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CHAPTER 4. PLACES IN TRAUMATIC MEMORY
127 -
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CHAPTER 5. SPACES IN TRAUMATIC MEMORY
137 - PART 3: MEMORIES TOLD
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INTRODUCTION
153 -
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CHAPTER 6. REGIMES OF MEMORY, REGIMES OF FEELING
162 -
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CHAPTER 7. COMMUNITIES OF MEMORY, COMMUNITIES OF FEELING
178 - PART 4: MEMORIES LIVED
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INTRODUCTION
205 -
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CHAPTER 8. MATERIALITIES OF THE EVERYDAY
209 -
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CHAPTER 9. AFFECTIVE OTHERS
233 -
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CHAPTER 10. CONTINGENCY AND RUPTURE
272 -
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CONCLUSION: A PALETTE OF HAECCEITIES
295 -
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APPENDIX: THE INTERVIEWEES
303 -
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NOTES
321 -
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BIBLIOGRAPHY
353 -
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INDEX
369