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"Acknowledgments". The Cinema of Ang Lee: The Other Side of the Screen, New York Chichester, West Sussex: Columbia University Press, 2014, pp. vii-viii. https://doi.org/10.7312/dill16772-001

(2014). Acknowledgments. In The Cinema of Ang Lee: The Other Side of the Screen (pp. vii-viii). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/dill16772-001

2014. Acknowledgments. The Cinema of Ang Lee: The Other Side of the Screen. New York Chichester, West Sussex: Columbia University Press, pp. vii-viii. https://doi.org/10.7312/dill16772-001

"Acknowledgments" In The Cinema of Ang Lee: The Other Side of the Screen, vii-viii. New York Chichester, West Sussex: Columbia University Press, 2014. https://doi.org/10.7312/dill16772-001

Acknowledgments. In: The Cinema of Ang Lee: The Other Side of the Screen. New York Chichester, West Sussex: Columbia University Press; 2014. p.vii-viii. https://doi.org/10.7312/dill16772-001

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Chapters in this book

Frontmatter i
Contents v
Acknowledgments vii
Note on Transliteration ix
1. Introduction: Ang Lee – A History 1
2. Ang Lee as Director: His Position in Asian and World Cinema 21
3. Confucian Values and Cultural Displacement in Pushing Hands 49
4. Transgressing Boundaries of Gender and Culture in The Wedding Banquet 59
5. Globalization and Cultural Identity in Eat Drink Man Woman 69
6. Opposition and Resolution in Sense and Sensibility 81
7. Fragmentary Narratives/Fragmented Identities in The Ice Storm 94
8. Race, Gender, Class, and Social Identity in Ride with the Devil 107
9. Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger, Hidden Dragon 118
10. The Ultimate Outsider: Hulk 134
11. Transcending Gender in Brokeback Mountain 147
12. Eroticism and Performance in Lust/Caution 158
13. Memory, Narrative, and Transformation in Taking Woodstock 171
14. Storytelling and Truth in Life of Pi: A Spiritual Journey 181
15. Conclusion: The Dream of Cinema 192
Notes 197
Bibliography 213
Index 223

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https://doi.org/10.7312/dill16772-001

Chapters in this book

Frontmatter i
Contents v
Acknowledgments vii
Note on Transliteration ix
1. Introduction: Ang Lee – A History 1
2. Ang Lee as Director: His Position in Asian and World Cinema 21
3. Confucian Values and Cultural Displacement in Pushing Hands 49
4. Transgressing Boundaries of Gender and Culture in The Wedding Banquet 59
5. Globalization and Cultural Identity in Eat Drink Man Woman 69
6. Opposition and Resolution in Sense and Sensibility 81
7. Fragmentary Narratives/Fragmented Identities in The Ice Storm 94
8. Race, Gender, Class, and Social Identity in Ride with the Devil 107
9. Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger, Hidden Dragon 118
10. The Ultimate Outsider: Hulk 134
11. Transcending Gender in Brokeback Mountain 147
12. Eroticism and Performance in Lust/Caution 158
13. Memory, Narrative, and Transformation in Taking Woodstock 171
14. Storytelling and Truth in Life of Pi: A Spiritual Journey 181
15. Conclusion: The Dream of Cinema 192
Notes 197
Bibliography 213
Index 223

Acknowledgments

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