The Columbia Companion to Modern Chinese Literature
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Edited by:
Kirk Denton
About this book
Author / Editor information
Reviews
The Columbia Companion is a very stimulating guide to modern Chinese literature. More than that, it is a landmark work.... No other single volume has presented this range of literature and this level of critical introduction. Whether as teachers or as research scholars, we should not overlook this contribution to our field.
Perry Link, University of California, Riverside:
The field of modern Chinese literature has grown immensely in recent decades. Only collaboration among many scholars can encompass it. The Columbia Companion to Modern Chinese Literature does this, but it is much more than a reference book. It is a kaleidoscope of deft and charming essays that provide insight as well as background for students at all levels. The book will be invaluable in teaching.
Howard Goldblatt, coeditor of The Columbia Anthology of Modern Chinese Literature:
The Columbia Companion to Modern Chinese Literature is as close to an all-purpose work as we are likely to have. A broad-based introduction to the literary offerings and studies of modern Chinese literature for newcomers; a reference work for specialists; and a showcase for the best veteran and young scholars in the field. An indispensable tool.
Wendy Larson, University of Oregon:
The Columbia Companion to Modern Chinese Literature is a dynamite collection of short, smart essays written by many of the leading scholars in the field. It is not only a useful source but also a good read that brings alive the cultural complexity behind the many passionate debates surrounding modern literature in China.
David Der-wei Wang, Harvard University:
The Columbia Companion to Modern Chinese Literature addresses a range of issues crucial to our understanding of modern Chinese literary culture, from the birth of new fiction to the advent of Internet writing and from the vitality of cultural production to the vigor of political intervention. In this volume, Chinese literature appears to be a most powerful institution that inscribes, and sometimes even prescribes, the history of modern China.
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Frontmatter
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Contents
v -
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Preface and Acknowledgments
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Chronology of Major Historical Events
xi - Part I. Thematic Essays
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1. Historical Overview
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2. Modern Chinese Literature as an Institution: Canon and Literary History
27 -
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3. Language and Literary Form
38 -
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4. Literary Communities and the Production of Literature
46 -
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5. Between Tradition and Modernity: Contested Classical Poetry
55 -
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6. Diaspora in Modern Chinese Literature
62 -
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7. Sinophone Literature
72 -
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8. Chinese Literature and Film Adaptation
80 - Part II. Authors, Works, Schools
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9. The Late Qing Poetry Revolution: Liang Qichao, Huang Zunxian, and Chinese Literary Modernity
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10. The Uses of Fiction: Liang Qichao and His Contemporaries
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11. Late Qing Fiction
104 -
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12. Zhou Shoujuan’s Love Stories and Mandarin Ducks and Butterflies Fiction
111 -
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13. Form and Reform: New Poetry and the Crescent Moon Society
121 -
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14. Reconsidering the Origins of Modern Chinese Women’s Writing
128 -
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15. The Madman That Was Ah Q: Tradition and Modernity in Lu Xun’s Fiction
136 -
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16. Romantic Sentiment and the Problem of the Subject: Yu Dafu
145 -
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17. Feminism and Revolution: The Work and Life of Ding Ling
152 -
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18. The Debate on Revolutionary Literature
159 -
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19. Mao Dun, the Modern Novel, and the Representation of Women
163 -
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20. Ba Jin’s Family: Fiction, Representation, and Relevance
169 -
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21. Chinese Modernism: The New Sensationists
176 -
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22. Shen Congwen and Imagined Native Communities
183 -
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23. Xiao Hong’s Field of Life and Death
189 -
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24. Performing the Nation: Chinese Drama and Theater
195 -
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25. Cao Yu and Thunderstorm
205 -
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26. The Reluctant Nihilism of Lao She’s Rickshaw
211 -
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27. Eileen Chang and Narratives of Cities and Worlds
217 -
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28. Literature and Politics: Mao Zedong’s “Yan’an Talks” and Party Rectification
224 -
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29. Qian Zhongshu and Yang Jiang: A Literary Marriage
231 -
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30. Revolutionary Realism and Revolutionary Romanticism: Song of Youth
237 -
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31. The Hundred Flowers: Qin Zhaoyang, Wang Meng, and Liu Binyan
245 -
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32. Cold War Fiction from Taiwan and the Modernists
250 -
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33. Nativism and Localism in Taiwanese Literature
258 -
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34. The Cultural Revolution Model Theater
267 -
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35. Martial Arts Fiction and Jin Yong
274 -
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36. Taiwan Romance: Qiong Yao and San Mao
280 -
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37. Misty Poetry
286 -
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38. Scar Literature and the Memory of Trauma
293 -
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39. Culture Against Politics: Roots-Seeking Literature
299 -
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40. Mo Yan
307 -
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41. Avant-Garde Fiction in Post-Mao China
313 -
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42. Contemporary Experimental Theaters in the People’s Republic of China, Taiwan, and Hong Kong
320 -
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43. Modern Poetry of Taiwan
327 -
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44. Homoeroticism in Modern Chinese Literature
336 -
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45. Contemporary Urban Fiction: Rewriting the City
345 -
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46. Xi Xi and Tales of Hong Kong
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47. Writing Taiwan’s Fin-de-Siècle Splendor: Zhu Tianwen and Zhu Tianxin
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48. Wang Anyi
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49. Wang Shuo
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50. Commercialization of Literature in the Post-Mao Era: Yu Hua, Beauty Writers, and Youth Writers
386 -
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51. Popular Genre Fiction: Science Fiction and Fantasy
394 -
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52. Word and Image: Gao Xingjian
400 -
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53. Hong Kong Voices: Literature from the Late Twentieth Century to the New Millennium
407 -
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54. Avant-Garde Poetry in China Since the 1980s
414 -
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55. Taiwan Literature in the Post–Martial Law Era
422 -
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56. Speaking from the Margins: Yan Lianke
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57. Internet Literature: From YY to MOOC
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Index
441