5. The Real And The Rendered

Chapters in this book

1. Frontmatter i
2. Contents v
3. Foreword (1994) vii
4. Preface xxi
5. Part I: The Audiovisual Contract
6. 1. Projections Of Sound On Image 3
7. 2. The Three Listening Modes 22
8. 3. Lines And Points: Horizontal And Vertical Perspectives On Audiovisual Relations 35
9. 4. The Audiovisual Scene 66
10. 5. The Real And The Rendered 98
11. 6. Phantom Audio- Vision; Or, The Audio- Divisual 121
12. Part II: Beyond Sounds And Images
13. 7. Sound Film Worthy Of The Name 137
14. 8. Toward An Audio- Logo- Visual Poetics 147
15. 9. An Introduction To Audiovisual Analysis 172
16. Glossary 201
17. Chronology: Landmarks of the Sound Film 215
18. Notes 249
19. Bibliography 255
20. Index 257