Columbia University Press
The Columbia Sourcebook of Literary Taiwan
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Edited by:
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About this book
Author / Editor information
Michelle Yeh is professor of Chinese literature at the University of California at Davis. She is the author, translator, and editor of Modern Chinese Poetry: Theory and Practice Since 1917; Anthology of Modern Chinese Poetry; No Trace of the Gardener: Poems of Yang Mu; Frontier Taiwan: An Anthology of Modern Chinese Poetry; and A Lifetime Is a Promise to Keep: Poems of Huang Xiang.
Ming-ju Fan is professor and director of the Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. Her books in Chinese include Literary Geography: Spatial Reading of Taiwanese Fiction; Chronological Searches of Taiwanese Women's Fiction; and Like a Box of Chocolate: Criticism on Contemporary Literature and Culture.
Reviews
Extraordinarily useful... Every library of every university with students studying Taiwanese writing in translation will want to order a copy... students will for sure be waiting in long lines to use it.
An exhaustive collection...
The editors of The Columbia Sourcebook of Literary Taiwan have made a remarkable contribution to Taiwanese literary studies by reconstructing these literary fragments—the knit and purl of the deconstructed sweater—into a historical narrative of literary rebellion.
Margaret Hillenbrand, University of Oxford:
This landmark publication will become a guide and inspiration for anyone with an interest in the literature of Taiwan. The sheer range of its materials and the high quality of its translations make this sourcebook an extraordinary contribution to the field.
Perry Link, University of California, Riverside:
Remarkable for its intellectual breadth, this volume represents a full spectrum of views, including some that are flatly opposed. A valuable research tool for many years to come.
Joseph R. Allen, University of Minnesota, Twin Cities:
A treasure trove of writing that offers an intimate view into the complex literary culture of Taiwan across the twentieth century and beyond. In texts ranging from solemn essays and manifestos to diary entries and zany letters to the editor, one watches the ebb and flow of the central questions of Taiwanese literature. The selection and organization of the materials immerse the reader in the various 'debates' (lunzhan) about language, literature, and society as they unfolded in the public discourse within Japanese colonial modernity, Nationalist authoritarian rule, and the new civil society of post–martial law democracy. These fascinating primary works are contextualized with a variety of supporting materials, making the volume particularly useful for teaching the literary and social culture of Taiwan.
Kang-i Sun Chang, Yale University:
This vast, poignant, and important sourcebook bears out Taiwan's unique history of literary culture. In these pages we hear a wide range of voices from writers of different times. A must read for anyone who wants to discover the real Taiwan.
Michael Berry, author of A History of Pain and Speaking in Images:
This book is a tour de force, bringing together many of the most important documents relating to the history of Taiwan literary criticism and firsthand reflections on writing and the literary scene from leading writers, playwrights, and poets. This volume offers a translation of an impressive array of critical writings on literature into English for the very first time. No other book is quite like it, certainly not in English, and perhaps not even in Chinese.
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Frontmatter
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Contents
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Acknowledgments
xxiii -
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Introduction: Literary Taiwan—An East Asian Contextual Perspective
1 - Part I. The Beginnings and Entry Into Modernity Through Colonial Mediation (1728–1948)
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Introduction
37 -
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1. Preface to Volume 1 of Jade Ruler Between Sky and Sea
39 -
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2. Preface to Collection of Coral Branches
40 -
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3. Preface Number 5 (by the Author)
41 -
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4. Ars Poetica (Mid-nineteenth Century
42 -
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5. Elucidating the Meaning of Literature
42 -
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6. Congratulations on the Founding of the Taiwan Literary Society
44 -
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7. On the New Mission to Promote Vernacular Writing
45 -
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8. On Reforming Classical Chinese
48 -
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9. A Letter to the Youth of Taiwan
50 -
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10. The Awful Literary Scene of Taiwan
51 -
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11. On Reading “A Comparison of Old and New Literature” in the Taiwan Daily News
54 -
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12. Diary
56 -
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13. Advance
57 -
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14. The Solitary Spirits League and the Anarchist Theater Movement
59 -
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15. Why Not Promote Nativist Literature?
63 -
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16. Annotation on Three-Six-Nine Little Gazette
66 -
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17. A Proposal on the Construction of Taiwanese Vernacular Writing
67 -
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18. On Reforming the Taiwanese Vernacular
70 -
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19. The Prospect of Popular Literature
72 -
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20. A Giant Bomb on the Old Poetry Scene
73 -
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21. Elegant Words
74 -
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22. Absolute Objection to Nativist Literature Written in the Taiwanese Vernacular
76 -
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23. On Taiwan’s Nativist Literature
79 -
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24. Burning Hair—the Rites of Poetry
80 -
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25. Writing on the Wall
83 -
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26. Manifesto
83 -
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27. Foreword: Understanding Folk Literature
85 -
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28. Art Belongs to the People
87 -
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29. The Historical Mission of Taiwan Literary Arts
89 -
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30. Miscellaneous Thoughts on Literature—Two Types of Atmosphere
94 -
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31. Poetry Snippets: On Highbrow
96 -
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32. Preface to Mountain Spirit
97 -
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33. Youth and Taiwan (II): Ideal and Reality of the New Drama Movement
98 -
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34. A Chat with the Governor-General About Discontinuing Chinese Columns in Daily Newspapers
103 -
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35. Why Can’t Taiwan’s Art Scene Advance?
105 -
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36. Criticism and Guidance Welcomed
106 -
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37. On the Future of Taiwanese Literature
108 -
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38. The Prospect of Taiwanese Literature
109 -
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39. The Past, Present, and Future of Taiwanese Literature
111 -
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40. On Building a Literary Scene in Taiwan
117 -
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41. Diary (1942–1944)
121 -
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42. Responsibility of the Literati on the Island
124 -
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43. Taiwanese Theater in the Current Stage of Development
126 -
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44. A Conversation on Taiwanese Culture
129 -
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45. A Commentary on Current Literature
134 -
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46. Kuso Realism and Pseudo-Romanticism
135 -
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47. An Open Letter to Mr. Shiwai Min
138 -
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48. Good Writing, Bad Writing
139 -
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49. In Defense of Kuso Realism
141 -
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50. The Thorny Road Continues
143 -
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51. Our Propositions
144 -
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52. The Path of Bridge—Report on the Second Writers’ Gathering
150 -
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53. Questions and Answers Concerning Taiwanese Literature
156 - Part II. Wading Through the Cold War Under Martial Law (1949–1987)
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Introduction
159 -
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1. Inaugural Preface to Literary Creation
161 -
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2. Declaration
163 -
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3. Inaugural Preface to Military Literature: Establishing a Modernized, Populist, Revolutionary, and Combative National Literature
164 -
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4. Poetry Is Poetry; Song Is Song; We Do Not Say “Poem-Song”
166 -
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5. Explicating the Tenets of the Modernist School
167 -
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6. To the Reader
169 -
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7. A Critique of Peng Ge’s Setting Moon and a Discussion of the Modern Novel
171 -
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8. Newsletter of Literary Friends: Correspondence Between Zhong Zhaozheng and Zhong Lihe
174 -
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9. Notes from the Editors of Epoch Poetry Quarterly
178 -
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10. On Symbolist Poetry and Chinese New Poetry: A Rejoinder to Professor Su Xuelin
179 -
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11. Five Years Later
184 -
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12. To the Poet Ya Xian
185 -
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13. Random Talk on New Poetry No. 4: Whither It Goes?
186 -
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14. Taiwanese Writers Whose Works Burst with Local Color
188 -
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15. Notes of a Poet
189 -
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16. Introduction to Modern Literature
191 -
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17. One Year of Modern Literature
193 -
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18. Preface to Selected Poems of the 1960s
195 -
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19. On Yu Guangzhong’s Sirius the Dog Star
198 -
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20. Goodbye, Nihilism!
199 -
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21. Preface to the Japanese edition of The Orphan of Asia
202 -
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22. An Open Letter to Guo Lianghui
204 -
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23. An Announcement from the Chinese Writers Association
206 -
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24. I Do Not Value The Locked Heart and Membership in the Writers Association
208 -
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25. Cutting Off the Prose Braids
211 -
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26. Lower the Flag to Half-Mast for May Fourth!
214 -
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27. Message from the Editors
217 -
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28. Postscript to Carefree Wandering
219 -
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29. Toward a New Departure in Modernism: Thoughts on the Recent Production of Waiting for Godot
220 -
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30. The Girl with Long Black Hair: The Author’s Preface
222 -
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31. The Evolution of Modern Poetry in Taiwan
224 -
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32. Epigraph to the Inaugural Issue
226 -
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33. On the Predicament of Modern Chinese Poets
226 -
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34. On the Special Issue of Retrospect
229 -
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35. Not Our Paradise
231 -
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36. Benchmarks in Fiction Criticism: Reading Tang Jisong’s “Autumn Leaves by Ouyang Zi”
235 -
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37. Qideng Sheng’s “Polio” Style
240 -
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38. Take Pains to Read, Take Care to Evaluate Family Catastrophe
242 -
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39. Looking Forward to a New Kind of Literature
247 -
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40. Two Kinds of Spirit in Taiwanese Literature: A Comparison of Yang Kui and Zhong Lihe
248 -
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41. Author’s Preface
253 -
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42. She Is a True Student of China: On Reading Zhang Ailing on Reading
254 -
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43. Should the Ban on May Fourth and 1930s Writings Be Lifted?
255 -
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44. Grassroots Manifesto
259 -
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45. The Past Decade of Taiwanese Literature (1965–1975)—with Remarks on Wang Wenxing’s Family Catastrophe
262 -
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46. The Pursuit and Disappearance of Utopia
267 -
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47. Random Thoughts: Author’s Preface
271 -
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48. Starting from the Flaws of Taipei People: On the Method and Practice of Literary Criticism
272 -
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49. Looking Back
275 -
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50. Preface to Three-Three Journal
279 -
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51. It Is Realist Literature, Not Nativist Literature— A Historical Analysis of Nativist Literature
280 -
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52. Introduction to the History of Nativist Literature in Taiwan
284 -
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53. The Blind Spot of Nativist Literature
289 -
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54. Where Is Literature Without Human Nature?
293 -
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55. Xiangtu Wenxue: Its Merits and Demerits
297 -
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56. Impressions Gleaned from the Conference on Literary Arts Organized by the Armed Forces: The Bugle of Unity
305 -
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57. Notes on the Publication of Essays on Nativist Literature
307 -
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58. Two Types of Literary Mind: On Two Short Stories That Won the United Daily Fiction Contest
310 -
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59. Ten Years of Flowing River
314 -
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60. Foreword to Anthology of the Modern Chinese Essay
320 -
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61. Preface to Thirty Eventful Years: The Predicament Facing the Newspaper Literary Supplement in Taiwan at Present and a Way Out
322 -
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62. Looking Back at the Chinese Literary Arts Association
327 -
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63. Taiwan Consciousness of the Taiwanese People
329 -
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64. Influence and Response! From Concern, Engagement, and Action to “We Have Only One Earth”
331 -
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65. Footprints, Sort Of: Superfluous Words on the Launch of the Newsletter of Literary Friends
333 -
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66. Eternal Quest (in Lieu of a Preface)
338 -
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67. The Question of Nativization in Taiwanese Literature at the Present Stage
343 -
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68. House of Salt—by Way of Introduction
346 -
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69. Flaws and Mercy—Preface to The Mulberry Sea
350 -
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70. The Translingual Generation of Poets: Beginning with the Silver Bell Society
352 -
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71. Heralding a Taiwanese Dawn: Introducing Lin Shuangbu, Novelist of the New Generation, and Appraising Taiwan’s Enfeebled Fiction
354 -
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72. Sacrificing a Life to Literature Is Nothing to Boast About
359 -
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73. A Painful Confession
362 -
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74. Something Out of Nothing: On Improvisation and Theater
368 - Part III. The Era of Democracy and Globalization (1987–2005)
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Introduction
375 -
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1. Preface to Series in Contemporary Mainland Chinese Writers: Replies to Inquiries
377 -
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2. Coming Together for a Long Journey Ahead: Celebrating the Birth of the Taipei Theater Fellowship
379 -
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3. Preface to Heteroglossia
381 -
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4. Writing a Literature with a Nationality
382 -
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5. Recovering Our Names
384 -
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6. Preface to Complete Works of Taiwanese Writers
385 -
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7. If the Poets Don’t Die, the Thieves Won’t Quit1: The Predicament of Taiwan’s Poetry Scene and How to Resolve It
388 -
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8. She Waves the Flag: Preface to Ping Lu’s New Collection Who Killed XXX?
391 -
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9. Diary
393 -
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10. Literature of the Military Family Village: The Inheritance and Abandonment of Homesickness
395 -
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11. Discovering a New Taiwan: On Wang Qimei’s Collage
400 -
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12. Inaugural Editorial of the Taiwanese Poetics Quarterly
402 -
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13. The World of Mountains and Seas: Preface to the Inaugural Issue of the Culture of Mountains and Seas Bimonthly
403 -
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14. Who Is Going to Wear My Beautiful Knit Dress?
404 -
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15. Summer Mist
406 -
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16. Postscript to On the Island’s Edge
408 -
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17. On Ku’er: Reflections on Ku’er and Ku’er Literature in Contemporary Taiwan
409 -
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18. Preface: Just Who Is the Devil with a Chastity Belt?
412 -
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19. Wandering in Gods’ Garden (in Lieu of a Preface)
414 -
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20. Saving a Boatload of Starlight: The Story of How Mr. Wang Tiwu Gave Financial Assistance to Young Writers
417 -
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21. The Activist Character of the Literary Supplement to the United Daily
419 -
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22. Newspaper Literary Supplements and the Nobel Prize in Literature: A Personal Reflection
422 -
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23. On Bai
425 -
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24. Retrospect on Thirty Years of Taiwan Literary Arts
427 -
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25. Foreword II: On Taiwan’s Literary Canon
431 -
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26. To the Reader: Preface to the Unitas Edition of Complete Works of Luo Zhicheng
433 -
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27. Broken Chinese and Good Work
434 -
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28. Like a Road Sign That Looks Ahead and Behind: Introduction to Compendium of Taiwanese-language Literature
436 -
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29. The Brave New World of the Mother Tongue: Taiwanese-language Literature Under Construction
440 -
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30. A Flower Recalls Its Previous Incarnation: Remembering Zhang Ailing and Hu Lancheng
442 -
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31. The Mysterious Revelations of Nature Writing
446 -
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32. Building a Bridge for Taiwanese Literature: Foreword to the Newsletter of the National Museum of Taiwan Literature
448 -
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33. A Perspective on Prose
450 -
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34. My Story of the Chinese Language—Roaming
450 -
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35. A First Step Out of “Migration Literature”
457 -
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36. Hakka Literature, Literary Hakka
460 -
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37. The End of the Military Family Village
462 -
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38. Interview with Wu He
463 -
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39. Zhang Xiaofeng on Prose
473 -
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40. Preface to the New Edition of Born Under the Twelfth Star Sign
475 -
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41. Ocean Tide Loves Me Best: A Dialogue Between Sun Dachuan and Xiaman Lanpoan
476 -
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Glossary
483 -
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Selected Bibliography
509 -
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Notes on the Translators
519 -
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Notes on the Authors
527 -
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Index
541