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John Brooks
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- Introduction ENCOUNTERING ILLEGIBILITY The Enactment of Critical Blackness 1
-
PART I Vision
- Chapter One PICTURING BLACKNESS IN THE PHOTOGRAPHY OF ROY DECARAVA 23
- Chapter Two A MUSE FOR BLACKNESS Kara Walker’s “Outlaw Rebel” Vision 58
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PART II Genre
- Chapter Three ANTIESSENTIALIST FORM The Bebop Effect of Percival Everett’s Erasure 89
- Chapter Four BEYOND SATIRE The Humor of Incongruity in Paul Beatty’s The Sellout 122
-
PART III History
- Chapter Five THE POLITICS OF INERTIA Temporal Distortion in Suzan-Lori Parks’s 100 Plays for the First Hundred Days 153
- Chapter Six HERETICAL POETICS IN ROBIN COSTE LEWIS’S THE VOYAGE OF THE SABLE VENUS 189
- AFTERWORD Circulating Critical Blackness 223
- NOTES 227
- BIBLIOGRAPHY 259
- INDEX 277
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- Introduction ENCOUNTERING ILLEGIBILITY The Enactment of Critical Blackness 1
-
PART I Vision
- Chapter One PICTURING BLACKNESS IN THE PHOTOGRAPHY OF ROY DECARAVA 23
- Chapter Two A MUSE FOR BLACKNESS Kara Walker’s “Outlaw Rebel” Vision 58
-
PART II Genre
- Chapter Three ANTIESSENTIALIST FORM The Bebop Effect of Percival Everett’s Erasure 89
- Chapter Four BEYOND SATIRE The Humor of Incongruity in Paul Beatty’s The Sellout 122
-
PART III History
- Chapter Five THE POLITICS OF INERTIA Temporal Distortion in Suzan-Lori Parks’s 100 Plays for the First Hundred Days 153
- Chapter Six HERETICAL POETICS IN ROBIN COSTE LEWIS’S THE VOYAGE OF THE SABLE VENUS 189
- AFTERWORD Circulating Critical Blackness 223
- NOTES 227
- BIBLIOGRAPHY 259
- INDEX 277