Frontmatter

Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Notes on Contributors ix
5. Foreword xv
6. Introduction 1
7. 1. CO-CREATION
8. Preface 7
9. 1. I-docs and the documentary tradition: exploring questions of engagement 9
10. 2. Co-creation as talkback: using the collaborative and interactive docu-forms to (re)imagine the ‘rape-city’ 26
11. 3. Documentary as co-creative practice: From Challenge for Change to Highrise – Kat Cizek in conversation with Mandy Rose 38
12. 4. Not media about, but media with: co-creation for activism 49
13. 5. Living collaborations in Los Sures, Brooklyn: 1984 and today 66
14. 6. Software as co-creator in interactive documentary 82
15. 2. METHODS
16. Preface 99
17. 7. Evaluating users’ experiences: a case study approach to improving i-doc UX Design 101
18. 8. User experience versus author experience: lessons learned from the UX Series 117
19. 9. Pushing the craft forward: the POV Hackathon as a collaborative approach to making an interactive documentary 129
20. 10. The Learn Do Share design methodology: Lance Weiler in conversation 144
21. 11. Testing and evaluating design prototypes: the case study of Avatar Secrets 154
22. 12. Look who’s watching: what storytellers can learn from privacy and personalisation 170
23. 3. HORIZONS
24. Preface 189
25. 13. Things to come: the possible futures of documentary … from a historical perspective 191
26. 14. Towards behavioural realism: experiments in immersive journalism 206
27. 15. Interactive documentary and live performance: from embodied to emplaced interaction 222
28. 16. The travelling i-doc: reflections on the meaning of interactive documentary-based image-making practices in contemporary India 237
29. 17. Interactive documentary aquí y ahora – here & now: themes and directions in South America 255
30. 18. Who wants to become banal?: the i-doc from experiment to industry 272
31. Index 289