Speculative Taxidermy
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Giovanni Aloi
About this book
Author / Editor information
Giovanni Aloi (PhD, Visual Culture, Goldsmiths, University of London) is Lecturer in Visual Culture at the School of the Art Institute of Chicago. He is the author of Art and Animals (I.B. Tauris, 2011) and the founder and editor-in-chief of Antennae: The Journal of Nature in Visual Culture. His new book Speculative Taxidermy: Biopolitics in the Anthropocene is forthcoming from Columbia.Giovanni Aloi is a lecturer in art history, theory, and criticism at the School of the Art Institute of Chicago, Sotheby’s Institute of Art New York and London, and Tate Galleries. He is the author of Art and Animals (2011) and the founder and editor-in-chief of Antennae: The Journal of Nature in Visual Culture.
Reviews
In Speculative Taxidermy, Aloi gives us a contact zone between humans and animality, art and the nonhuman. While there are a number of recent works on taxidermy, this is the book many of us have been waiting for—broad ranging, keen-eyed, insightful, and informed by animal studies as well as art history.
Hannah Stark, University of Tasmania:
Speculative Taxidermy makes a fascinating contribution to the nonhuman turn and invites us to find new ways to envisage the relationships between human and nonhuman animals. It will be a significant text for ethical and political debates in animal studies and the environmental humanities.
Susan McHugh, author of Animal Stories and Dog:
How did taxidermy become cool again? The recent and rapid rise of taxidermy in contemporary art reflects a broader shift in philosophical understandings of animals as embodiments of our shared physical vulnerability. Reading key examples through art and natural history, Speculative Taxidermy makes the case that aesthetic innovation follows from a sense of materiality as imposing a heightened register of realism, and with sweeping consequences for human-animal relations.
Topics
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Frontmatter
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CRITICAL LIFE STUDIES
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CONTENTS
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Acknowledgments
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PROLOGUE: THE CARNAL IMMANENCE OF POLITICAL REALISM-REALISM, MATERIALITY, AND AGENCY
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INTRODUCTION: NEW TAXIDERMY SURFACES IN CONTEMPORARY ART
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1. RECONFIGURING ANIMAL SKINS: FRAGMENTED HISTORIES AND MANIPULATED SURFACES
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2. A NATURAL HISTORY PANOPTICON: POWER, REPRESENTATION, AND ANIMAL OBJECTIFICATION
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3. DIORAMAS: POWER, REALISM, AND DECORUM
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4. THE END OF THE DAYDREAM: TAXIDERMY AND PHOTOGRAPHY
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5. FOLLOWING MATERIALITY: FROM MEDIUM TO SURFACE-MEDIUM SPECIFICITY AND ANIMAL VISIBILITY IN THE MODERN AGE
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6. THE ALLURE OF THE VENEER: AESTHETICS OF SPECULATIVE TAXIDERMY
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7. THIS IS NOT A HORSE: BIOPOWER AND ANIMAL SKINS IN THE ANTHROPOCENE
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CODA: TOWARD NEW MYTHOLOGIES—THE RITUAL, THE SACRIFICE, THE INTERCONNECTEDNESS
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Appendix: Some Notes Toward a Manifesto for Artists Working with and About Taxidermy Animals
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Notes
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BIBLIOGRAPHY
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Index
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