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AN ARTIST-ACTIVIST AT THE CENTER OF THE GLOBAL SIXTIES
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Dalila Scruggs
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Chapters in this book
- Frontmatter 1
- Contents 6
- FOREWORD 8
- PLATES 1915– 1947 17
- BECOMING AN ARTIST-ACTIVIST AT HOWARD UNIVERSITY 67
- SOCIAL(IST) NETWORKS IN CHICAGO AND NEW YORK 77
- PLATES 1947– 1960 89
- SHARECROPPER AND CAMPESINO 117
- AN ARTIST-ACTIVIST AT THE CENTER OF THE GLOBAL SIXTIES 123
- LA MAESTRA’S FUGITIVE PEDAGOGY IN MEXICO 137
- PLATES 1960– 1975 145
- PRESSING NARRATIVES 177
- "THINKING ABOUT WOMEN” THROUGH FORM, SUBSTANCE, AND RADICAL POLITICS 187
- GIVING FEMINISM A SHOVE IN THE RIGHT DIRECTION 197
- PLATES 1975– 2012 207
- SHAPING PUBLIC SPACE 243
- A WOMAN OF GREAT INTEGRITY, AND BRAVERY 247
- CHRONOLOGY 255
- NOTES 270
- ACKNOWLEDGMENTS 282
- INDEX 284
- CREDITS 291
Chapters in this book
- Frontmatter 1
- Contents 6
- FOREWORD 8
- PLATES 1915– 1947 17
- BECOMING AN ARTIST-ACTIVIST AT HOWARD UNIVERSITY 67
- SOCIAL(IST) NETWORKS IN CHICAGO AND NEW YORK 77
- PLATES 1947– 1960 89
- SHARECROPPER AND CAMPESINO 117
- AN ARTIST-ACTIVIST AT THE CENTER OF THE GLOBAL SIXTIES 123
- LA MAESTRA’S FUGITIVE PEDAGOGY IN MEXICO 137
- PLATES 1960– 1975 145
- PRESSING NARRATIVES 177
- "THINKING ABOUT WOMEN” THROUGH FORM, SUBSTANCE, AND RADICAL POLITICS 187
- GIVING FEMINISM A SHOVE IN THE RIGHT DIRECTION 197
- PLATES 1975– 2012 207
- SHAPING PUBLIC SPACE 243
- A WOMAN OF GREAT INTEGRITY, AND BRAVERY 247
- CHRONOLOGY 255
- NOTES 270
- ACKNOWLEDGMENTS 282
- INDEX 284
- CREDITS 291