University of Chicago Press
The Lost Second Book of Aristotle's "Poetics"
About this book
Of all the writings on theory and aesthetics—ancient, medieval, or modern—the most important is indisputably Aristotle’s Poetics, the first philosophical treatise to propound a theory of literature. In the Poetics, Aristotle writes that he will speak of comedy—but there is no further mention of comedy. Aristotle writes also that he will address catharsis and an analysis of what is funny. But he does not actually address any of those ideas. The surviving Poetics is incomplete.
Until today. Here, Walter Watson offers a new interpretation of the lost second book of Aristotle's Poetics. Based on Richard Janko’s philological reconstruction of the epitome, a summary first recovered in 1839 and hotly contested thereafter, Watson mounts a compelling philosophical argument that places the statements of this summary of the Aristotelian text in their true context. Watson renders lucid and complete explanations of Aristotle’s ideas about catharsis, comedy, and a summary account of the different types of poetry, ideas that influenced not only Cicero’s theory of the ridiculous, but also Freud’s theory of jokes, humor, and the comic.
Finally, more than two millennia after it was first written, and after five hundred years of scrutiny, Aristotle’s Poetics is more complete than ever before. Here, at last, Aristotle’s lost second book is found again.
Author / Editor information
Walter Watson is professor emeritus of philosophy at Stony Brook University, State University of New York. His previous book was The Architectonics of Meaning: Foundations of the New Pluralism.
Reviews
"Walter Watson brings a deep perspective steeped in Aristotle’s entire philosophy to the study of Aristotle’s view of comedy and laughter. He repeatedly shows new ways in which the much contested TractatusCoislinianus fits in with, and completes, Aristotle’s wider thought about literature, catharsis, and causation in general. Just as Herculaneum papyri are bringing us more knowledge of Aristotle’s dialogue On Poets, so this analysis makes the outlines of his Poetics II clearer than before.”
Topics
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Frontmatter
i -
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Contents
vii -
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Acknowledgments
xi -
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Introduction
1 - Part I. Groundwork
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Chapter 1. Aristotle’s Arts and Sciences
19 -
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Chapter 2. Causes
47 - Part II. The Symbolon Argument
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Chapter 3. Causes in the Poetics
59 -
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Chapter 4. Poetic Imitation
65 -
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Chapter 5. Expectations of Poetics II
79 -
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Chapter 6. The Epitome of Poetics II
83 -
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Chapter 7. Comparison of the Epitome with Our Expectations
86 - Part III. The Kinds of Poetry
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Chapter 8. Imitative Poetry
99 -
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Chapter 9. Historical, Educational, and Imitative Poetry
106 -
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Chapter 10. Historical Poetry
110 -
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Chapter 11. Educational Poetry
125 -
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Chapter 12. Transition to the Specific Ends of Imitative Poetry
135 - Part IV. The End of Tragedy
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Chapter 13. The End of Tragedy as Catharsis
141 -
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Chapter 14. The Fearful Emotions
150 -
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Chapter 15. The Removal of Emotions by Emotions
152 -
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Chapter 16. The Aim of Tragedy: Symmetry
158 -
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Chapter 17. The Mother of Tragedy: Pain
164 -
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Chapter 18. Poetry and the Practical Sciences
168 - Part V. Comedy
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Chapter 19. The Definition of Comedy
179 -
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Chapter 20. The Mother of Comedy: Laughter
183 -
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Chapter 21. The Laughable
188 -
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Chapter 22. The Embodiment of the Laughable in Comedy
235 -
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Conclusion
251 -
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Appendix: The Order and Provenance of the Aristotelian Corpus
253 -
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Notes
277 -
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Bibliography
289 -
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Index
295