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7. The "Un-American" Film Art

Robert Siodmak, Fritz Lang, and the Political Significance ofFilm Noir's German Connection
© 2019 University of Chicago Press

© 2019 University of Chicago Press

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Screening Crime in the USA 1
  6. 1.. The Gangster's Silent Backdrop 19
  7. 2. The Enemy Goes Public 39
  8. 3. Manhattan Melodrama's "Art of the Weak" 66
  9. 4. Ganging Up against the Gangster 83
  10. 5. Crime, Inc. 115
  11. 6. Screening Crime the Liberal Consensus Way 144
  12. 7. The "Un-American" Film Art 186
  13. Epilogue. From Gangster to Gangsta 221
  14. Appendix. Production Code Administration Film Analysis Forms,1934-1957 227
  15. Bibliography 241
  16. Film Index 251
  17. Subject Index 255
Public Enemies, Public Heroes
Ein Kapitel aus dem Buch Public Enemies, Public Heroes
https://doi.org/10.7208/9780226550343-010

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Screening Crime in the USA 1
  6. 1.. The Gangster's Silent Backdrop 19
  7. 2. The Enemy Goes Public 39
  8. 3. Manhattan Melodrama's "Art of the Weak" 66
  9. 4. Ganging Up against the Gangster 83
  10. 5. Crime, Inc. 115
  11. 6. Screening Crime the Liberal Consensus Way 144
  12. 7. The "Un-American" Film Art 186
  13. Epilogue. From Gangster to Gangsta 221
  14. Appendix. Production Code Administration Film Analysis Forms,1934-1957 227
  15. Bibliography 241
  16. Film Index 251
  17. Subject Index 255
Heruntergeladen am 24.4.2026 von https://www.degruyterbrill.com/document/doi/10.7208/9780226550343-010/html?lang=de
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