Home Literary Studies 10. Tward accuracy, calrity, and consistency: what copyeditors do
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10. Tward accuracy, calrity, and consistency: what copyeditors do

  • Carol Saller
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What Editors Do
This chapter is in the book What Editors Do
© 2021 University of Chicago Press

© 2021 University of Chicago Press

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Introduction 1
  4. Part 1. Aquisition: Finding the book
  5. 1. Where it all begins 17
  6. 2. The alchemy of acquisitions: twelve rules for Trade Editors 30
  7. 3. Thinking like a scholarly editor: The how and Why of Academic Publishing 40
  8. 4. The Lords od Disciplines: Acquiring College Textbooks 49
  9. Part two. The editing process: from proposal to book
  10. 5. The book's journey 59
  11. 6. What love's got to do with it: The author-editor relationship 69
  12. 7. The other side of the desk: what i learned about editing when i baecame a literary agent 77
  13. 8. Open-heart surgery, or just a nip and tuck? 85
  14. 9. This needs just a little work: On line editing 96
  15. 10. Tward accuracy, calrity, and consistency: what copyeditors do 106
  16. Part 3. Publication: bringing the book to the reader
  17. 11. The flip side of the pizza: the editor as manager 119
  18. 12. Start spreading the news: The editor as evangelist 131
  19. 13. The half-open door: Independent Publishing and Community 141
  20. Part 4. From mistery to Memoir: categories and case studies
  21. 14. Listening to the music: Editing literary Fiction 151
  22. 15. Dukes, deaths and dragons: editing genre fiction 159
  23. 16. marginalia on editing general nonfiction 169
  24. 17. Once upon a time lasts forever: editing books for children 177
  25. 18. Lives that matter" editing biography, autobiography and memoir 187
  26. 19. Of monographs and magnum opuses: editing works of scholarship 197
  27. 20. Reliable Sources: reference editing and publishing 205
  28. 21. The pink should be a surprise: Creating illustrated books 213
  29. Part 5. Pursuing a publishing careen: Varieties of editorial experience
  30. 22. Widening the gates: why publishing needs diversity. 223
  31. 23. The apprentice: On being and editorial assistant 231
  32. 24. This pencil for hire: making a career as a freelancer editor 238
  33. 25. The self-publisher as self-editor 248
  34. 26. A new age od discovery: the editor's role in a changing publishing industry 256
  35. Conclusion. As time goes by 269
  36. Acknowledgments 273
  37. Glossary 275
  38. Further resources 291
  39. About the editor 299
  40. Index 301
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