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INTRODUCTION The Image —A Cultural Technology: A Research Program for a Critical Analysis of Images
-
Horst Bredekamp
, Vera Dünkel and Birgit Schneider
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Chapters in this book
- Frontmatter i
- Contents vi
- Foreword viii
- INTRODUCTION The Image —A Cultural Technology: A Research Program for a Critical Analysis of Images 1
- Discourses about Pictures: Considerations on the Particular Challenges Natural-Scientific Pictures Pose for the Theory of the Picture 8
- COMPARING IMAGES 14
- A History of Styles of Technical Imagery: Between Description and Interpretation A Conversation with Horst Bredekamp 18
- ICONOLOGICAL ANALYSIS 32
- Beyond the Icons of Knowledge: Artistic Styles and the Art History of Scientific Imagery 36
- Interacting with Images— Toward a History of the Digital Image: The Case of Graphical User Interfaces 48
- DIGITAL IMAGES 58
- Pictorial Tradition and Difference— Visual Knowledge Acquisition in Science: The Case of Scanning Tunneling Microscopy 62
- CHAINS OF REPRESENTATIONS 70
- Thinking with Models: On the Genesis of James Watson’s Molecular Biology of the Gene 74
- ARRANGING IMAGES AS TABLEAUX 81
- Technological Image Series: The Project “Technik im Bild” at the Deutsches Museum, Munich 86
- OBSERVATION TECHNIQUES 98
- In the Eye of the Beholder: Emanuel Goldberg’s Apparatuses at the International Photographic Exhibition Dresden 1909 102
- OBJECTIVITY AND EVIDENCE 112
- X-Ray Vision and Shadow Image: On the Specificity of Early Radiographs and Their Interpretations around 1900 116
- VISUALITY, VISUALIZING, IMAGING 126
- Instrument-Aided Vision and the Imagination: The Migration of Worms and Dragons in Early Microscopy* 130
- IMAGE NOISE 138
- Programmed Images: Systems of Notation in Seventeenth- and Eighteenth-Century Weaving 142
- DIAGRAMMATICS 152
- Early Modern Images of Musical Automata: On Athanasius Kircher’s Trompe-l’Oreille Contemplations in the Quirinal Gardens in Rome 157
- POPULARIZING SCIENCE 166
- Drawing and the Contemplation of Nature— Natural History around 1600: The Case of Aldrovandi’s Images 170
- BIBLIOGRAPHY 182
- THE AUTHORS 193
- INDEX 195
Chapters in this book
- Frontmatter i
- Contents vi
- Foreword viii
- INTRODUCTION The Image —A Cultural Technology: A Research Program for a Critical Analysis of Images 1
- Discourses about Pictures: Considerations on the Particular Challenges Natural-Scientific Pictures Pose for the Theory of the Picture 8
- COMPARING IMAGES 14
- A History of Styles of Technical Imagery: Between Description and Interpretation A Conversation with Horst Bredekamp 18
- ICONOLOGICAL ANALYSIS 32
- Beyond the Icons of Knowledge: Artistic Styles and the Art History of Scientific Imagery 36
- Interacting with Images— Toward a History of the Digital Image: The Case of Graphical User Interfaces 48
- DIGITAL IMAGES 58
- Pictorial Tradition and Difference— Visual Knowledge Acquisition in Science: The Case of Scanning Tunneling Microscopy 62
- CHAINS OF REPRESENTATIONS 70
- Thinking with Models: On the Genesis of James Watson’s Molecular Biology of the Gene 74
- ARRANGING IMAGES AS TABLEAUX 81
- Technological Image Series: The Project “Technik im Bild” at the Deutsches Museum, Munich 86
- OBSERVATION TECHNIQUES 98
- In the Eye of the Beholder: Emanuel Goldberg’s Apparatuses at the International Photographic Exhibition Dresden 1909 102
- OBJECTIVITY AND EVIDENCE 112
- X-Ray Vision and Shadow Image: On the Specificity of Early Radiographs and Their Interpretations around 1900 116
- VISUALITY, VISUALIZING, IMAGING 126
- Instrument-Aided Vision and the Imagination: The Migration of Worms and Dragons in Early Microscopy* 130
- IMAGE NOISE 138
- Programmed Images: Systems of Notation in Seventeenth- and Eighteenth-Century Weaving 142
- DIAGRAMMATICS 152
- Early Modern Images of Musical Automata: On Athanasius Kircher’s Trompe-l’Oreille Contemplations in the Quirinal Gardens in Rome 157
- POPULARIZING SCIENCE 166
- Drawing and the Contemplation of Nature— Natural History around 1600: The Case of Aldrovandi’s Images 170
- BIBLIOGRAPHY 182
- THE AUTHORS 193
- INDEX 195