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INTRODUCTION The Image —A Cultural Technology: A Research Program for a Critical Analysis of Images

  • Horst Bredekamp , Vera Dünkel and Birgit Schneider
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The Technical Image
This chapter is in the book The Technical Image
© 2021 University of Chicago Press

© 2021 University of Chicago Press

Chapters in this book

  1. Frontmatter i
  2. Contents vi
  3. Foreword viii
  4. INTRODUCTION The Image —A Cultural Technology: A Research Program for a Critical Analysis of Images 1
  5. Discourses about Pictures: Considerations on the Particular Challenges Natural-Scientific Pictures Pose for the Theory of the Picture 8
  6. COMPARING IMAGES 14
  7. A History of Styles of Technical Imagery: Between Description and Interpretation A Conversation with Horst Bredekamp 18
  8. ICONOLOGICAL ANALYSIS 32
  9. Beyond the Icons of Knowledge: Artistic Styles and the Art History of Scientific Imagery 36
  10. Interacting with Images— Toward a History of the Digital Image: The Case of Graphical User Interfaces 48
  11. DIGITAL IMAGES 58
  12. Pictorial Tradition and Difference— Visual Knowledge Acquisition in Science: The Case of Scanning Tunneling Microscopy 62
  13. CHAINS OF REPRESENTATIONS 70
  14. Thinking with Models: On the Genesis of James Watson’s Molecular Biology of the Gene 74
  15. ARRANGING IMAGES AS TABLEAUX 81
  16. Technological Image Series: The Project “Technik im Bild” at the Deutsches Museum, Munich 86
  17. OBSERVATION TECHNIQUES 98
  18. In the Eye of the Beholder: Emanuel Goldberg’s Apparatuses at the International Photographic Exhibition Dresden 1909 102
  19. OBJECTIVITY AND EVIDENCE 112
  20. X-Ray Vision and Shadow Image: On the Specificity of Early Radiographs and Their Interpretations around 1900 116
  21. VISUALITY, VISUALIZING, IMAGING 126
  22. Instrument-Aided Vision and the Imagination: The Migration of Worms and Dragons in Early Microscopy* 130
  23. IMAGE NOISE 138
  24. Programmed Images: Systems of Notation in Seventeenth- and Eighteenth-Century Weaving 142
  25. DIAGRAMMATICS 152
  26. Early Modern Images of Musical Automata: On Athanasius Kircher’s Trompe-l’Oreille Contemplations in the Quirinal Gardens in Rome 157
  27. POPULARIZING SCIENCE 166
  28. Drawing and the Contemplation of Nature— Natural History around 1600: The Case of Aldrovandi’s Images 170
  29. BIBLIOGRAPHY 182
  30. THE AUTHORS 193
  31. INDEX 195
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