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5. Realism and the Digital Image
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W. J. T. Mitchell
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations ix
- Preface: Figures and Grounds xi
- Acknowledgments xiii
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PART ONE: FIGURES
- 1. Art History on the Edge: Iconology, Media, and Visual Culture 1
- 2. Four Fundamental Concepts of Image Science 13
- 3. Image Science 23
- 4. Image X Text 39
- 5. Realism and the Digital Image 49
- 6. Migrating Images: Totemism, Fetishism, Idolatry 65
- 7. The Future of the Image: Rancière’s Road Not Taken 79
- 8. World Pictures: Globalization and Visual Culture 93
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PART TWO: GROUNDS
- 9. Media Aesthetics 111
- 10. There Are No Visual Media 125
- 11. Back to the Drawing Board: Architecture, Sculpture, and the Digital Image 137
- 12. Foundational Sites and Occupied Spaces 153
- 13. Border Wars: Translation and Convergence in Politics and Media 167
- 14. Art X Environment 181
- 15. The Historical Uncanny: Phantoms, Doubles, and Repetition in the War on Terror 195
- 16. The Spectacle Today: A Response to Retort 207
- Coda: For a Sweet Science of Images 219
- Index 227
Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations ix
- Preface: Figures and Grounds xi
- Acknowledgments xiii
-
PART ONE: FIGURES
- 1. Art History on the Edge: Iconology, Media, and Visual Culture 1
- 2. Four Fundamental Concepts of Image Science 13
- 3. Image Science 23
- 4. Image X Text 39
- 5. Realism and the Digital Image 49
- 6. Migrating Images: Totemism, Fetishism, Idolatry 65
- 7. The Future of the Image: Rancière’s Road Not Taken 79
- 8. World Pictures: Globalization and Visual Culture 93
-
PART TWO: GROUNDS
- 9. Media Aesthetics 111
- 10. There Are No Visual Media 125
- 11. Back to the Drawing Board: Architecture, Sculpture, and the Digital Image 137
- 12. Foundational Sites and Occupied Spaces 153
- 13. Border Wars: Translation and Convergence in Politics and Media 167
- 14. Art X Environment 181
- 15. The Historical Uncanny: Phantoms, Doubles, and Repetition in the War on Terror 195
- 16. The Spectacle Today: A Response to Retort 207
- Coda: For a Sweet Science of Images 219
- Index 227