Chapter
Publicly Available
Acknowledgments
-
Matthew C. Hunter
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments xiii
- Note on Conventions and Dates xvii
- Introduction. “Very Able, Very Sordid, Cynical, Wrong Headed and Whimsical” 1
- Chapter One. “I Resolved to Throw Aside All Manner of Hypotheses . . . and to Attend Wholly to What the Appearances Themselves Would Teach Me” 28
- Chapter Two. Knives Out: Thinking On, With, Through, and Against Paper in the Mid-1660s 68
- Chapter Three. Pictorial Intelligence: Peter Lely, Experimental Culture, and the Parameters of Painting 98
- Chapter Four. Cascade, Copper, Collection: Constellations of Images in 1670s Experimental Philosophy 125
- Chapter Five. “The Wonderful Elaboratory of the Animal Body”: The Royal Society’s Repository at Work 159
- Chapter Six. The Architecture of Science and the Science of Architecture 188
- Conclusion 222
- Notes 225
- Bibliography 287
- Index 317
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments xiii
- Note on Conventions and Dates xvii
- Introduction. “Very Able, Very Sordid, Cynical, Wrong Headed and Whimsical” 1
- Chapter One. “I Resolved to Throw Aside All Manner of Hypotheses . . . and to Attend Wholly to What the Appearances Themselves Would Teach Me” 28
- Chapter Two. Knives Out: Thinking On, With, Through, and Against Paper in the Mid-1660s 68
- Chapter Three. Pictorial Intelligence: Peter Lely, Experimental Culture, and the Parameters of Painting 98
- Chapter Four. Cascade, Copper, Collection: Constellations of Images in 1670s Experimental Philosophy 125
- Chapter Five. “The Wonderful Elaboratory of the Animal Body”: The Royal Society’s Repository at Work 159
- Chapter Six. The Architecture of Science and the Science of Architecture 188
- Conclusion 222
- Notes 225
- Bibliography 287
- Index 317