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Indigenous Graphic Communication Systems
A Theoretical Approach
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Edited by:
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Language:
English
Published/Copyright:
2025
About this book
Indigenous Graphic Communication Systems challenges the adequacy of Western academic views on what writing is and explores how they can be expanded by analyzing the sophisticated graphic communication systems found in Central Mesoamerica and Andean South America.
By examining case studies from across the Americas, the authors pursue an enhanced understanding of Native American graphic communication systems and how the study of graphic expression can provide insight into ancient cultures and societies, expressed in indigenous words. Focusing on examples from Central Mexico and the Andes, the authors explore the overlap among writing, graphic expression, and orality in indigenous societies, inviting reevaluation of the Western notion that writing exists only to record language (the spoken chain of speech) as well as accepted beliefs of Western alphabetized societies about the accuracy, durability, and unambiguous nature of their own alphabetized texts. The volume also addresses the rapidly growing field of semasiography and relocates it more productively as one of several underlying operating principles in graphic communication systems.
Indigenous Graphic Communication Systems reports new results and insights into the meaning of the rich and varied content of indigenous American graphic expression and culture as well as into the societies and cultures that produce them. It will be of great interest to Mesoamericanists, students, and scholars of anthropology, archaeology, art history, ancient writing systems, and comparative world history.
The research for and publication of this book have been supported in part by the National Science Centre of Poland (decision no. NCN-KR-0011/122/13) and the Houston Museum of Natural Science.
Contributors:
Angélica Baena Ramírez, Christiane Clados, Danièle Dehouve, Stanisław Iwaniszewski, Michel R. Oudijk, Katarzyna Szoblik, Loïc Vauzelle, Gordon Whittaker, Janusz Z. Wołoszyn, David Charles Wright-Carr
By examining case studies from across the Americas, the authors pursue an enhanced understanding of Native American graphic communication systems and how the study of graphic expression can provide insight into ancient cultures and societies, expressed in indigenous words. Focusing on examples from Central Mexico and the Andes, the authors explore the overlap among writing, graphic expression, and orality in indigenous societies, inviting reevaluation of the Western notion that writing exists only to record language (the spoken chain of speech) as well as accepted beliefs of Western alphabetized societies about the accuracy, durability, and unambiguous nature of their own alphabetized texts. The volume also addresses the rapidly growing field of semasiography and relocates it more productively as one of several underlying operating principles in graphic communication systems.
Indigenous Graphic Communication Systems reports new results and insights into the meaning of the rich and varied content of indigenous American graphic expression and culture as well as into the societies and cultures that produce them. It will be of great interest to Mesoamericanists, students, and scholars of anthropology, archaeology, art history, ancient writing systems, and comparative world history.
The research for and publication of this book have been supported in part by the National Science Centre of Poland (decision no. NCN-KR-0011/122/13) and the Houston Museum of Natural Science.
Contributors:
Angélica Baena Ramírez, Christiane Clados, Danièle Dehouve, Stanisław Iwaniszewski, Michel R. Oudijk, Katarzyna Szoblik, Loïc Vauzelle, Gordon Whittaker, Janusz Z. Wołoszyn, David Charles Wright-Carr
Author / Editor information
Katarzyna Mikulska is professor and head of the Department of History and Culture of Spain and Latin America in the Institute for Iberian and Iberoamerican Studies at the University of Warsaw. She is a leader of the Sign and Symbol Research Group and the project Codex Vaticanus B: A Forgotten Divinatory Book from pre-Hispanic Central Mexico.
Jerome A. Offner is associate curator for Northern Mesoamerica at the Houston Museum of Natural Science, author of the Howard F. Cline Memorial Prize–winning book Law and Politics in Aztec Texcoco, and leader of the International Corpus Xolotl Project.
Jerome A. Offner is associate curator for Northern Mesoamerica at the Houston Museum of Natural Science, author of the Howard F. Cline Memorial Prize–winning book Law and Politics in Aztec Texcoco, and leader of the International Corpus Xolotl Project.
Reviews
“This book represents a milestone in the study of the indigenous writing systems of the Americas. Including work by many of the most insightful scholars in this rapidly advancing field—many of them appearing here in English for the first time—Mikulska and Offner’s volume opens our understanding of indigenous graphic communication to a much wider world of possibility.”
—Benjamin D. Johnson, University of Massachusetts Boston
“Stimulating and insightful.”
—David Mora Marín, University of North Carolina at Chapel Hill
"All in all, this is an interesting and useful book."
—Estudios de Cultura Náhuatl
—Estudios de Cultura Náhuatl
Topics
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Front Matter
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Contents
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Figures
vii -
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Tables
xv -
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Preface and Acknowledgments
xvii -
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Introduction Indigenous Graphic Communication Systems
3 - Section 1 On Semasiographs and Semasiography
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1 On the Classification of Graphs in Central Mexican Pictorial Writing
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2 The System of Graphic Communication in the Central Mexican Divinatory Codices from the Functional Perspective
41 - Section 2 Metaphor, Orality, and Space
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3 The “Law of the Series”
95 -
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4 Sacrifice in the Codex Borgia
123 -
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5 Clothes with Metaphorical Names and the Representation of Metaphors in the Costumes of the Aztec Gods
154 -
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6 What Lies Beneath
180 -
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7 Traces of Orality in the Codex Xolotl
204 - Section 3 Reconnoitering the Periphery
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8 On the Iconic Nature of Tocapus and Other Framed Motif Units
233 -
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9 Geometric Motifs in Rock Art as a System of Visual Communication
257 -
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10 Status Markers in Moche Iconography
274 - Section 4 Going into Detail
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11 Hieroglyphs of Virtue and Vice
299 -
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12 An Approach to Anthroponymic Glyphs in Nahuatl Writing Contained in El Libro de los Tributos de San Pablo Teocaltitlan or the Codex Valeriano
312 -
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13 The Making of Academic Myth
340 -
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Afterword
376 -
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About the Authors
381 -
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Index
383
Publishing information
Pages and Images/Illustrations in book
eBook published on:
November 6, 2024
eBook ISBN:
9781607329350
Pages and Images/Illustrations in book
eBook ISBN:
9781607329350
Audience(s) for this book
For an expert adult audience, including professional development and academic research