Bristol University Press
Collaborative Research in Theory and Practice
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About this book
This book invites the reader to think about collaborative research differently. Using the concepts of ‘letting go’ (the recognition that research is always in a state of becoming) and 'poetics’ (using an approach that might interrupt and remake the conventions of research), it envisions collaborative research as a space where relationships are forged with the use of arts-based and multimodal ways of seeing, inquiring and representing ideas. The book's chapters are interwoven with ‘Interludes’ which provide alternative forms to think with and another vantage point from which to regard phenomena, pose a question and seek insights or openings for further inquiry, rather than answers. Altogether, the book celebrates collaboration in complex, exploratory, literary and artistic ways within university and community research.
Topics
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Front Matter
i -
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Contents
iii -
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Notes on Collaborators
iv -
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Acknowledgements
vii -
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Prologue
viii -
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Introduction
1 -
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Collaborative Questioning
25 -
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Poetics
29 -
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Postcards
46 -
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Worldizing
50 -
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Letting Go
67 -
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Worthiness
78 -
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Two
92 -
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Enchantment
97 -
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Demons
107 -
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Embodiment
108 -
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‘Most people don’t believe me’
122 -
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Hypertext
125 -
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Failing
137 -
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Unplanning
147 -
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Notes on the Work
160 -
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List of Projects and People with Dates and Funders
162 -
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References
164 -
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Index
175