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Conclusion Representations of the First World War and Wishing
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Kapitel in diesem Buch
- Front Matter i
- Contents v
- Acknowledgements vii
- Contemporary Canadian First World War Narratives: Remembering Canada’s Best Self 1
- The Dead Speak: Considering the Use of Prosopopoeia in Dancock’s Dance, Mary’s Wedding, and The Deep 27
- The War and Concepts of Nation in Jack Hodgins’s Broken Ground and Frances Itani’s Deafening 57
- Abandoning the Archivist: Commemorating the War Insider and Outsider in the First World War Novels of Alan Cumyn and Jane Urquhart 85
- Other Canadians: The Representation of Alternative Versions of the Canadian War in Vimy, Unity (1918), Three Day Road, and A Secret Between Us 119
- Representations of the First World War and Wishing 161
- Notes 173
- Bibliography 195
- Index 205
Kapitel in diesem Buch
- Front Matter i
- Contents v
- Acknowledgements vii
- Contemporary Canadian First World War Narratives: Remembering Canada’s Best Self 1
- The Dead Speak: Considering the Use of Prosopopoeia in Dancock’s Dance, Mary’s Wedding, and The Deep 27
- The War and Concepts of Nation in Jack Hodgins’s Broken Ground and Frances Itani’s Deafening 57
- Abandoning the Archivist: Commemorating the War Insider and Outsider in the First World War Novels of Alan Cumyn and Jane Urquhart 85
- Other Canadians: The Representation of Alternative Versions of the Canadian War in Vimy, Unity (1918), Three Day Road, and A Secret Between Us 119
- Representations of the First World War and Wishing 161
- Notes 173
- Bibliography 195
- Index 205
