Canadian Television
-
Edited by:
Marian Bredin
, Scott Henderson and Sarah A. Matheson
About this book
Canadian Television: Text and Context explores the creation and circulation of entertainment television in Canada from the interdisciplinary perspective of television studies. Each chapter connects arguments about particular texts of Canadian television to critical analysis of the wider cultural, social, and economic contexts in which they are created. The book surveys the commercial and technological imperatives of the Canadian television industry, the shifting role of the CBC as Canada’s public broadcaster, the dynamics of Canada’s multicultural and multiracial audiences, and the function of television’s “star system.” Foreword by The Globe and Mail’s television critic, John Doyle.
Author / Editor information
Marian Bredin is an associate professor in the Department of Communication, Popular Culture and Film, and the MA Program in Popular Culture at Brock University.
--- Contributor: Scott HendersonScott Henderson is an associate professor in the Department of Communication, Popular Culture and Film, and the MA Program in Popular Culture at Brock University.
--- Contributor: Sarah A. MathesonSarah A. Matheson is an associate professor in the Department of Communication, Popular Culture and Film, and the MA Program in Popular Culture at Brock University.
Reviews
“The compelling and wide-ranging essays in this collection attest to the strength of television studies in Canada even—or especially—at a moment when both the nation and the medium of television have become destabilized critical categories. A welcome addition to the field of media studies in Canada.”
“While the digital age transforms all media and globalization erodes national boundaries, television and its domestic contexts are still perceived as serving some form of national interest. Canadian Television: Text and Context celebrates English-Canadian television within this nexus of concerns, asking how our TV texts and the issues they raise provide Canadians with a ‘collective working through’ of our shared realities. Crossing disciplines and genres in rich explorations of forms and practices, this impressive collection signals loud and clear the depth and diversity with which Canadian television studies has arrived.”
Topics
-
Download PDFPublicly Available
Front Matter
i -
Requires Authentication UnlicensedLicensed
Contents
v -
Download PDFPublicly Available
One Thing about Television and Ten Things about Canadian TV
vii - Television Studies in the Canadian Context
-
Requires Authentication UnlicensedLicensed
Introduction
3 -
Requires Authentication UnlicensedLicensed
From Kine to Hi-Def: A Personal View of Television Studies in Canada
21 -
Requires Authentication UnlicensedLicensed
(Who Knows?) What Remains to Be Seen: Archives, Access, and Other Practical Problems for the Study of Canadian “National” Television
39 - Contexts of Television Production in Canada
-
Requires Authentication UnlicensedLicensed
Television, Film, and the Canadian Star System
61 -
Requires Authentication UnlicensedLicensed
Producing Aboriginal Television in Canada
73 -
Requires Authentication UnlicensedLicensed
Hypercommercialism and Canadian Children’s Television
95 - Contexts of Criticism
-
Requires Authentication UnlicensedLicensed
Canadianizing Canadians
115 -
Requires Authentication UnlicensedLicensed
How Even American Reality TV Can Perform a Public Service on Canadian Television
135 -
Requires Authentication UnlicensedLicensed
Television, Nation, and the Situation Comedy in Canada
153 -
Requires Authentication UnlicensedLicensed
“Come On Eileen”
173 -
Requires Authentication UnlicensedLicensed
Bibliography
191 -
Requires Authentication UnlicensedLicensed
Contributors
209 -
Requires Authentication UnlicensedLicensed
Index
213 -
Requires Authentication UnlicensedLicensed
Books in the Film+Media Studies Series
222