Kapitel in diesem Buch

1. Frontmatter i
2. PREFACE v
3. CONTENTS xi
4. PLATES xiii
5. PART ONE. THE TERMS OF DRAWING AND PAINTING
6. I. THE TERMS OF VISION AND OF DRAWING AND PAINTING. THE WORKING TONE SOLID 3
7. 2. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID - OTHER TONE SOLIDS - A TRUE TONE SOLID - PURITY AND BRILLIANCE 21
8. PART TWO. MODES OF REPRESENTATION IN DRAWING AND PAINTING
9. 3. THE VISUAL IMAGE AND VISUAL CONCEPTS 37
10. 4. THE VISUAL EFFECT 44
11. 5. THE MODES OF DRAWING 56
12. 6. THE MODES OF PAINTING 74
13. 7. VARIATIONS IN THE REPRESENTATION OF DETAIL AND IN THE TREATMENT OF TONE RELATIONS IN PAINTING 99
14. 8. THE USE OF LIMITED PALETTES OR LIMITED TONE SEQUENCES 115
15. 9. CONCLUSION -THE USE OF DIFFERENT MODES IN RECENT PAINTING 132
16. APPENDIX
17. I. DESIGN IN TONE RELATIONS 141
18. II. THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES 154
19. III. THE QUESTION OF PREFERENCE FOR INDIVIDUAL TONES 155
20. IV. A HYBRID MODE OF DRAWING AS ILLUSTRATED IN WINCHESTER MSS. 157
21. BIBLIOGRAPHICAL NOTE 160
22. PLATES 163