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"Notes". The Poetry of Vision: Five Eighteenth-Century Poets, Cambridge, MA and London, England: Harvard University Press, 1967, pp. 221-234. https://doi.org/10.4159/harvard.9780674435827.c10

(1967). Notes. In The Poetry of Vision: Five Eighteenth-Century Poets (pp. 221-234). Cambridge, MA and London, England: Harvard University Press. https://doi.org/10.4159/harvard.9780674435827.c10

1967. Notes. The Poetry of Vision: Five Eighteenth-Century Poets. Cambridge, MA and London, England: Harvard University Press, pp. 221-234. https://doi.org/10.4159/harvard.9780674435827.c10

"Notes" In The Poetry of Vision: Five Eighteenth-Century Poets, 221-234. Cambridge, MA and London, England: Harvard University Press, 1967. https://doi.org/10.4159/harvard.9780674435827.c10

Notes. In: The Poetry of Vision: Five Eighteenth-Century Poets. Cambridge, MA and London, England: Harvard University Press; 1967. p.221-234. https://doi.org/10.4159/harvard.9780674435827.c10

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Chapters in this book

Frontmatter i
Preface vii
Contents ix
I. VISION AND MEANING: An Introduction to the Problem 1
II. JAMES THOMSON: The Dominance of Meaning 13
III. JAMES THOMSON: The Retreat from Vision 46
IV. WILLIAM COLLINS: The Controlling Image 66
V. THOMAS GRAY: Action and Image 90
VI. CHRISTOPHER SMART: The Mystique of Vision (I) 119
VII. CHRISTOPHER SMART: The Mystique of Vision (II) 140
VIII. WILLIAM COWPER: The Heightened Perception 165
IX. THE ACHIEVED IMAGE 207
Notes 221
Index 235

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https://doi.org/10.4159/harvard.9780674435827.c10

Chapters in this book

Frontmatter i
Preface vii
Contents ix
I. VISION AND MEANING: An Introduction to the Problem 1
II. JAMES THOMSON: The Dominance of Meaning 13
III. JAMES THOMSON: The Retreat from Vision 46
IV. WILLIAM COLLINS: The Controlling Image 66
V. THOMAS GRAY: Action and Image 90
VI. CHRISTOPHER SMART: The Mystique of Vision (I) 119
VII. CHRISTOPHER SMART: The Mystique of Vision (II) 140
VIII. WILLIAM COWPER: The Heightened Perception 165
IX. THE ACHIEVED IMAGE 207
Notes 221
Index 235

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