The Unknown Distance
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Edward Engelberg
About this book
Edward Engelberg argues that Conscience and Consciousness have slowly drifted apart from their once nearly identical meanings: inward knowledge of oneself. This process of separation, he shows, reached a critical point in the late eighteenth and nineteenth centuries, the age of "dualisms."
Tracing the evolution of the severance of Conscience from Consciousness, he demonstrates from a wide range of examples in literature and philosophy how such a division shaped the attitudes of important writers and thinkers. The study opens with the Romantics and closes with Kafka, Hesse, and Camus. It includes analyses of Hegel, Dostoevsky, James, Conrad, and Freud and brings together for comparison such pairings as Poe and Mann, Goethe and Wordsworth, Arnold and Nietzsche.
Engelberg concludes that the cleavage of Conscience from Consciousness is untenable. To dispossess Conscience, he asserts, man would also need to dispossess a full awareness, a full Consciousness; and a full Consciousness inevitably leads back to Conscience.
Topics
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Frontmatter
i -
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Preface
ix -
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Acknowledgments
xiii -
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Contents
xvii -
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The unknown distance
xix -
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Introduction
1 -
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I. Conscience and Consciousness: Dualism or Unity?
8 -
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II. The Price of Consciousness: Goethe's Faust and Byron's Manfred
40 -
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III. The Risks of Consciousness: Goethe's Werther and Wordsworth's the Prelude
58 -
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IV. Some Versions of Consciousness and Egotism: Hegel, Dostoevsky's underground Man, and Peer Gynt
87 -
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V. Consciousness and Will: Poe and Mann
117 -
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VI. The Tyranny of Conscience: Arnold, James, and Conrad's Lord Jim
144 -
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VII. Towards a Genealogy of the Modern Problem: Schopenhauer, Nietzsche, and Freud
186 -
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VIII. A Case of Conscience: Kafka's the Trial, Hesse's Steppenwolf, and Camus's the Fall
208 -
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Conclusion
242 -
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Notes
257 -
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Index
281
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