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CHAPTER III. DESIGN IN TONE RELATIONS

Kapitel in diesem Buch

  1. Frontmatter i
  2. PREFACE v
  3. CONTENTS xi
  4. CHAPTER I. THE DIFFERENT FACTORS IN VISUAL TONE • A WORKING TONE SOLID AND DIAGRAMS DERIVED THEREFROM FOR PRACTICAL USE IN DERIVED THEREFROM FOR PRACTICAL USE IN CONNECTION WITH PAINTING 1
  5. CHAPTER II. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID – THE TRUE TONE SOLID – SATURATION AND BRIGHTNESS – TERMINOLOGY 37
  6. CHAPTER III. DESIGN IN TONE RELATIONS 64
  7. CHAPTER IV. TONE RELATIONS IN PAINTING 93
  8. CHAPTER V. SCALED PALETTES 120
  9. APPENDIX THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES 151
  10. BIBLIOGRAPHICAL NOTE 155
  11. PLATES 159
Volume I An Introduction to the Language of Drawing and Painting, Volume I: The Painter’s Terms
Ein Kapitel aus dem Buch Volume I An Introduction to the Language of Drawing and Painting, Volume I: The Painter’s Terms
https://doi.org/10.4159/harvard.9780674289376.c3

Kapitel in diesem Buch

  1. Frontmatter i
  2. PREFACE v
  3. CONTENTS xi
  4. CHAPTER I. THE DIFFERENT FACTORS IN VISUAL TONE • A WORKING TONE SOLID AND DIAGRAMS DERIVED THEREFROM FOR PRACTICAL USE IN DERIVED THEREFROM FOR PRACTICAL USE IN CONNECTION WITH PAINTING 1
  5. CHAPTER II. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID – THE TRUE TONE SOLID – SATURATION AND BRIGHTNESS – TERMINOLOGY 37
  6. CHAPTER III. DESIGN IN TONE RELATIONS 64
  7. CHAPTER IV. TONE RELATIONS IN PAINTING 93
  8. CHAPTER V. SCALED PALETTES 120
  9. APPENDIX THE EMOTIONAL SIGNIFICANCE OF DIFFERENT GENERAL TONALITIES 151
  10. BIBLIOGRAPHICAL NOTE 155
  11. PLATES 159
Heruntergeladen am 25.4.2026 von https://www.degruyterbrill.com/document/doi/10.4159/harvard.9780674289376.c3/html?lang=de
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