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Chapter 8. Drama and Figured Bass in Mozart’s Concertos
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
-
Part One. The Weight of Society
- Chapter 1. Freedom and Art 7
- Chapter 2. Culture on the Market 15
- Chapter 3. The Future of Music 24
- Chapter 4. The Canon 39
-
Part Two. Mostly Mozart
- Chapter 5. Dramatic and Tonal Logic in Mozart’s Operas 51
- Chapter 6. Mozart’s Entry into the Twentieth Century 64
- Chapter 7. The Triumph of Mozart 73
- Chapter 8. Drama and Figured Bass in Mozart’s Concertos 79
- Chapter 9. Mozart and Posterity 114
- Chapter 10. Structural Dissonance and the Classical Sonata 121
- Chapter 11. Tradition without Convention 135
-
Part Three. Centenaries
- Chapter 12. Felix Mendelssohn at 200: Prodigy without Peer 171
- Chapter 13. Happy Birthday, Elliott Carter! 178
- Chapter 14. Frédéric Chopin, Reactionary and Revolutionary 187
- Chapter 15. Robert Schumann, a Vision of the Future 193
-
Part Four. Long Perspectives
- Chapter 16. The New Grove’s Dictionary Returns 203
- Chapter 17. Western Music: The View from California 210
- Postscript: Modernism and the Cold War 240
- Chapter 18. Theodor Adorno: Criticism as Cultural Nostalgia 248
- Chapter 19. Resuscitating Opera: Alessandro Scarlatti 264
- Chapter 20. Operatic Paradoxes: The Ridiculous and Sublime 278
- Chapter 21. Lost Chords and the Golden Age of Pianism 290
-
Part Five. Classical Modernism: Past and Present
- Chapter 22. Montaigne: Philosophy as Process 303
- Chapter 23. La Fontaine: The Ethical Power of Style 319
- Chapter 24. The Anatomy Lesson: Melancholy and the Invention of Boredom 339
- Chapter 25. Mallarmé and the Transfiguration of Poetry 353
- Chapter 26. Hofmannsthal and Radical Modernism 368
- Chapter 27. The Private Obsessions of Wystan Auden 383
-
Part Six. Final Cadence, Unresolved
- Chapter 28. Old Wisdom and Newfangled Theory: Two One-Way Streets to Disaster 397
-
Credits. Index
- Credits 423
- Index of Names and Works 425
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
-
Part One. The Weight of Society
- Chapter 1. Freedom and Art 7
- Chapter 2. Culture on the Market 15
- Chapter 3. The Future of Music 24
- Chapter 4. The Canon 39
-
Part Two. Mostly Mozart
- Chapter 5. Dramatic and Tonal Logic in Mozart’s Operas 51
- Chapter 6. Mozart’s Entry into the Twentieth Century 64
- Chapter 7. The Triumph of Mozart 73
- Chapter 8. Drama and Figured Bass in Mozart’s Concertos 79
- Chapter 9. Mozart and Posterity 114
- Chapter 10. Structural Dissonance and the Classical Sonata 121
- Chapter 11. Tradition without Convention 135
-
Part Three. Centenaries
- Chapter 12. Felix Mendelssohn at 200: Prodigy without Peer 171
- Chapter 13. Happy Birthday, Elliott Carter! 178
- Chapter 14. Frédéric Chopin, Reactionary and Revolutionary 187
- Chapter 15. Robert Schumann, a Vision of the Future 193
-
Part Four. Long Perspectives
- Chapter 16. The New Grove’s Dictionary Returns 203
- Chapter 17. Western Music: The View from California 210
- Postscript: Modernism and the Cold War 240
- Chapter 18. Theodor Adorno: Criticism as Cultural Nostalgia 248
- Chapter 19. Resuscitating Opera: Alessandro Scarlatti 264
- Chapter 20. Operatic Paradoxes: The Ridiculous and Sublime 278
- Chapter 21. Lost Chords and the Golden Age of Pianism 290
-
Part Five. Classical Modernism: Past and Present
- Chapter 22. Montaigne: Philosophy as Process 303
- Chapter 23. La Fontaine: The Ethical Power of Style 319
- Chapter 24. The Anatomy Lesson: Melancholy and the Invention of Boredom 339
- Chapter 25. Mallarmé and the Transfiguration of Poetry 353
- Chapter 26. Hofmannsthal and Radical Modernism 368
- Chapter 27. The Private Obsessions of Wystan Auden 383
-
Part Six. Final Cadence, Unresolved
- Chapter 28. Old Wisdom and Newfangled Theory: Two One-Way Streets to Disaster 397
-
Credits. Index
- Credits 423
- Index of Names and Works 425