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Harvard University Press
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Sound’s Work: An Introduction 1
- Listening Thresholds 19
- Tennyson’s Hum 49
- Humming Tennyson: Christina Rossetti and Virginia Woolf 70
- Pennies and Horseplay: W. B. Yeats’s Recalls 96
- “Coo-ee”: Calling Walter de La Mare, Edward Thomas, Robert Frost 117
- A Book, a Face, a Phantom: Walter de la Mare’s “The Green Room” 145
- Hearing Something: Robert Frost, Elizabeth Bishop, Jorie Graham 158
- “Wherever You Listen From”: W. S. Graham’s Art of the Letter 181
- Incarnations in the Ear: Hearing Presence in Les Murray 203
- Justifying Time in Ticks and Tocks 226
- Poetry’s Knowing: So What Do We Know? 251
- Bibliography 273
- Acknowledgments 287
- Index 291
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Sound’s Work: An Introduction 1
- Listening Thresholds 19
- Tennyson’s Hum 49
- Humming Tennyson: Christina Rossetti and Virginia Woolf 70
- Pennies and Horseplay: W. B. Yeats’s Recalls 96
- “Coo-ee”: Calling Walter de La Mare, Edward Thomas, Robert Frost 117
- A Book, a Face, a Phantom: Walter de la Mare’s “The Green Room” 145
- Hearing Something: Robert Frost, Elizabeth Bishop, Jorie Graham 158
- “Wherever You Listen From”: W. S. Graham’s Art of the Letter 181
- Incarnations in the Ear: Hearing Presence in Les Murray 203
- Justifying Time in Ticks and Tocks 226
- Poetry’s Knowing: So What Do We Know? 251
- Bibliography 273
- Acknowledgments 287
- Index 291