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Andreas Huyssen
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1 Urban Spleen and the Terror of Paris in Baudelaire and Rilke 23
- 2 Kafka’s Betrachtung in the Force Field of Photography and Film 52
- 3 Benn in Occupied Brussels: The Rönne Novellas 84
- 4 Photography and Emblem in Kracauer and Benjamin’s Street Texts 118
- 5 Double Exposure Berlin: Photomontage and Narrative in Höch and Keun 155
- 6 Benjamin and Aragon: Le Paysan de Berlin 181
- 7 War and Metropolis in Jünger 218
- 8 Musil’s Posthumous Modernism 244
- Coda. Diving into the Wreck: Adorno’s Minima Moralia 270
- Notes 299
- Index 337
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1 Urban Spleen and the Terror of Paris in Baudelaire and Rilke 23
- 2 Kafka’s Betrachtung in the Force Field of Photography and Film 52
- 3 Benn in Occupied Brussels: The Rönne Novellas 84
- 4 Photography and Emblem in Kracauer and Benjamin’s Street Texts 118
- 5 Double Exposure Berlin: Photomontage and Narrative in Höch and Keun 155
- 6 Benjamin and Aragon: Le Paysan de Berlin 181
- 7 War and Metropolis in Jünger 218
- 8 Musil’s Posthumous Modernism 244
- Coda. Diving into the Wreck: Adorno’s Minima Moralia 270
- Notes 299
- Index 337