Song of Ourselves
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Mark Edmundson
About this book
In the midst of a crisis of democracy, we have much to learn from Walt Whitman’s journey toward egalitarian selfhood.
Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself.
Esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach.
In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self and nation.
Reviews
-- Megan Marshall, author of the Pulitzer Prize–winning Margaret Fuller: A New American Life and Elizabeth Bishop: A Miracle for Breakfast
-- Adam Phillips, author of On Wanting to Change
-- Todd Gitlin, author of The Sixties: Years of Hope, Days of Rage
-- Rosanna Warren, author of Max Jacob: A Life in Art and Letters
-- David Mikics, author of Slow Reading in a Hurried Age and editor of The Annotated Emerson
-- Michael Gorra, author of The Saddest Words: William Faulkner’s Civil War
-- Ian Beacock New Republic
-- Portland Book Review
Topics
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Frontmatter
i -
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Contents
vii -
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A Note on Citations
ix -
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Preface
xi -
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Introduction
1 - Part I: Song of Ourselves
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I Celebrate Myself
15 -
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Undisguised and Naked
19 -
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The Marriage of Self and Soul
24 -
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The Grass
28 -
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All In
34 -
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A Vision of Democracy
38 -
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These States
44 -
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Songs of Triumph
47 -
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Poet of the Body
51 -
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The Sun
53 -
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The Generative God
61 -
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The Animals
66 -
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Walt Becomes Other
69 -
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A Massacre
72 -
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A Sea Fight
76 -
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American Jesus
79 -
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Democratic Götterdämmerung
84 -
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Walt and the Priests
88 -
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Walt’s God
91 -
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Walt and the Reader
94 -
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Death and Democracy
99 - Part II: In the Hospitals
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Publication
107 -
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In Washington
114 -
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Letters Home
117 -
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Tom Sawyer
127 -
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The Vision Completed
133 - Part III: Song of Myself (1855)
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Song of Myself
141 -
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Bibliography
207 -
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Acknowledgments
211 -
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Index
213