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Narrative Ethics
Language:
English
Published/Copyright:
1995
About this book
In the wake of deconstruction and criticism focusing on difference, Newton makes a case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, he explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader.
Reviews
Newton's book will become a pivotal text in our discussions of the ethical implications of reading. He has taken into account a great deal of prior work, and written with judgment and wisdom.
-- Daniel Schwartz Narrative
-- Daniel Schwartz Narrative
Reading Narrative Ethics is a powerful experience, for it engages not just the intellect, but the emotions, and dare I say, the spirit. It stands apart from recent books on ethics in literature by virtue of its severe insistence o its allegiance to an alternative ethical tradition. This alternative way of thinking--and living--has its roots in the work of the Jewish philosopher Emmanuel Levinas and finds support in the writings of Mikhail Bakhtin and Stanley Cavell...Stories, Newton asserts, are not ethical because of their morals or because of their normative logic. They are ethical because of the work they perform, in the social world, of binding teller, listener, witness, and reader to one another...This is a work of passion, integrity, commitment, and mission.
-- Jay Clayton, Vanderbilt University
-- Jay Clayton, Vanderbilt University
Newton probes with admirable subtlety the key question: what do we gain--and what dangers do we run--when we fully enter the life of an 'other' through that 'other's' story? We have here a rare combination of deep and learned critical acumen with passionate love for literature and sensitivity to its nuances.
-- Wayne C. Booth, University of Chicago
-- Wayne C. Booth, University of Chicago
Adam Zachary Newton writes with illuminating passion. Drawing on writers as diverse as Conrad and Henry James, Melville and Sherwood Anderson, Bakhtin and Levinas, he asks what it is to turn one's life into a story for another, and what it is to respond to, or avoid the claim of, another person's narration. He has written a wonderful, important book.
-- Martha Nussbaum, University of Chicago
-- Martha Nussbaum, University of Chicago
Newton offers elegant, provocative readings of texts ranging from The Rime of the Ancient Mariner to Winesburg, Ohio, The Remains of the Day, and Bleak House...Newton's book is a rich vein of critical ore that can be mined profitably.
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Topics
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Frontmatter
i -
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Contents
vii -
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Acknowledgments
ix -
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Abbreviations
xiii -
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1. Narrative as Ethics
1 -
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2. Toward a Narrative Ethics
35 -
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3. We Die in a Last Word: Conrad's Lord Jim and Anderson's Winesburg, Ohio
71 -
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4. Lessons of (for) the Master: Short Fiction by Henry James
125 -
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5. Creating the Uncreated Features of His Face: Monstration in Crane, Melville, and Wright
175 -
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6. Telling Others: Secrecy and Recognition in Dickens, Barnes, and Ishiguro
241 -
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Conclusion
287 -
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Notes
295 -
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Index
331
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 1, 2009
eBook ISBN:
9780674041462
Pages and Images/Illustrations in book
Main content:
351
eBook ISBN:
9780674041462
Audience(s) for this book
Professional and scholarly;