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8 Kubrick versus MGM, 1964–1969
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James Fenwick
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Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
-
Part 1 The Emergence of a Film Producer, 1928–1955
- 1 The Beginning, 1928–1951 11
- 2 The Unknown Early Years, 1951–1953 26
- 3 The New York “Film School,” 1953–1955 44
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Part 2 The Harris-Kubrick Pictures Corporation, 1955–1962
- 4 The New UA Team, 1955–1956 63
- 5 New Modes of Producing, 1957–1959 79
- 6 Swords, Sandals, Sex, and Soviets, 1959–1962 98
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Part 3 Polaris Productions and Hawk Films, 1962–1969
- 7 The Establishment of a Producing Powerhouse, 1962–1964 119
- 8 Kubrick versus MGM, 1964–1969 131
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Part 4 The Decline of a Film Producer, 1970–1999
- 9 Kubrick and Warner Bros., 1970–1980 155
- 10 The End, 1980–1999 178
- Epilogue 197
- Appendix A: World Assembly of Youth Credits 201
- Appendix B: Filmography 203
- Acknowledgments 207
- Notes 209
- Select Bibliography 243
- Index 249
Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
-
Part 1 The Emergence of a Film Producer, 1928–1955
- 1 The Beginning, 1928–1951 11
- 2 The Unknown Early Years, 1951–1953 26
- 3 The New York “Film School,” 1953–1955 44
-
Part 2 The Harris-Kubrick Pictures Corporation, 1955–1962
- 4 The New UA Team, 1955–1956 63
- 5 New Modes of Producing, 1957–1959 79
- 6 Swords, Sandals, Sex, and Soviets, 1959–1962 98
-
Part 3 Polaris Productions and Hawk Films, 1962–1969
- 7 The Establishment of a Producing Powerhouse, 1962–1964 119
- 8 Kubrick versus MGM, 1964–1969 131
-
Part 4 The Decline of a Film Producer, 1970–1999
- 9 Kubrick and Warner Bros., 1970–1980 155
- 10 The End, 1980–1999 178
- Epilogue 197
- Appendix A: World Assembly of Youth Credits 201
- Appendix B: Filmography 203
- Acknowledgments 207
- Notes 209
- Select Bibliography 243
- Index 249