Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Introduction 1
4. Part I. Diplomatic Representations in Classical Hollywood
5. 1. Censorship as Cultural Resistance: The Chinese Government’s “Uplift” of National Images in 1930s Hollywood 19
6. 2. Justified Patricide and (Im)Properly Directed Hatred: Regulating the Representations of Chinese and Japanese in Doolittle Raid Films 60
7. 3. Beyond the Propaganda Model: The Pentagon as a Technical Advisor for Brainwashing Films of the Cold War Era 94
8. Part II. The War on Terror, Contemporary Hollywood, and Its Global Discontents
9. 4. From Die Another Day to “Another Day”: The Anti-007 Movement, Pan-Asian Nationalism, and Protests as Censorship 131
10. 5. The Interview as a Twenty-First- Century Great Dictator? Rethinking Film Regulation and Foreign Relations through the Sony Crisis 156
11. Conclusion: Chinese Censors Return to Hollywood 178
12. Appendix 189
13. Acknowledgments 195
14. Notes 197
15. Index 227
16. About the Author 245