Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Introduction: TV’s Three Queer Fantasies 1
4. 1. The Queer Times of Leave It to Beaver: Beaver’s Present, Ward’s Past, and June’s Future 26
5. 2. Queer Innocence and Kitsch Nostalgia in The Brady Bunch 51
6. 3. No Sex Please, We’re African American: The Cosby Show’s Queer Fear of Black Sexuality 79
7. 4. Feminism, Homosexuality, and Blue-Collar Perversity in Roseanne 107
8. 5. Allegory, Queer Authenticity, and Marketing Tween Sexuality in Hannah Montana 134
9. 6. Conservative Narratology, Queer Politics, and the Humor of Gay Stereotypes in Modern Family 161
10. Conclusion: Tolstoy Was Wrong; or, On the Queer Reception of Television’s Happy Families 190
11. Acknowledgments 197
12. Television Programs 199
13. Notes 205
14. Works Cited 227
15. Index 241
16. About the Author 247