Watching While Black
-
Edited by:
Beretta E. Smith-Shomade
-
With contributions by:
Robin Means Coleman
, Andre Cavalcante , Kristen J. Warner , Christine Acham , Devorah Heitner , TreaAndrea M. Russworm , Jennifer Fuller , Kim M. LeDuff , Racquel Gates , Nghana Lewis , Mark D. Cunningham , Deborah Elizabeth Whaley , Reighan Gillam , Nsenga Burton , Timothy Havens and Eric Pierson
About this book
Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black and marginalized audience.
Watching While Black considers its subject from an entirely new angle in an attempt to understand the lives, motivations, distinctions, kindred lines, and individuality of various Black groups and suggest what television might be like if such diversity permeated beyond specialized enclaves. It looks at the macro structures of ownership, producing, casting, and advertising that all inform production, and then delves into television programming crafted to appeal to black audiences—historic and contemporary, domestic and worldwide.
Chapters rethink such historically significant programs as Roots and Black Journal, such seemingly innocuous programs as Fat Albert and bro’Town, and such contemporary and culturally complicated programs as Noah’s Arc, Treme, and The Boondocks. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black sheds much-needed light on under-examined demographics, broadens common audience considerations, and gives deference to the the preferences of audiences and producers of Black-targeted programming.
Author / Editor information
BERETTA E. SMITH-SHOMADE is an associate professor and chair of the communication department at Tulane University. She is the author of Shaded Lives: African-American Women and Television (Rutgers University Press) and Pimpin Ain’t Easy: Selling Black Entertainment Television.
Reviews
Topics
|
Publicly Available Download PDF |
i |
|
Publicly Available Download PDF |
vii |
|
Publicly Available Download PDF |
ix |
|
Beretta E. Smith-Shomade Requires Authentication Unlicensed Licensed |
1 |
|
PART I. PRODUCING BLACKNESS
|
|
|
Eric Pierson Requires Authentication Unlicensed Licensed |
19 |
|
Robin R. Means Coleman and Andre M. Cavalcante Requires Authentication Unlicensed Licensed |
33 |
|
Kristen J. Warner Requires Authentication Unlicensed Licensed |
49 |
|
Christine Acham Requires Authentication Unlicensed Licensed |
63 |
|
PART II. BLACKNESS ON DEMAND
|
|
|
Devorah Heitner Requires Authentication Unlicensed Licensed |
77 |
|
Treaandrea M. Russworm Requires Authentication Unlicensed Licensed |
89 |
|
Jennifer Fuller Requires Authentication Unlicensed Licensed |
105 |
|
Kim M. Leduff Requires Authentication Unlicensed Licensed |
121 |
|
PART III. NEW JACK BLACK
|
|
|
Racquel Gates Requires Authentication Unlicensed Licensed |
141 |
|
Nghana Lewis Requires Authentication Unlicensed Licensed |
157 |
|
Mark D. Cunningham Requires Authentication Unlicensed Licensed |
172 |
|
Deborah Elizabeth Whaley Requires Authentication Unlicensed Licensed |
187 |
|
PART IV. WORLDWIDE BLACKNESS
|
|
|
Reighan Alexandra Gillam Requires Authentication Unlicensed Licensed |
207 |
|
Nsenga K. Burton Requires Authentication Unlicensed Licensed |
220 |
|
Timothy Havens Requires Authentication Unlicensed Licensed |
232 |
|
Requires Authentication Unlicensed Licensed |
247 |
|
Requires Authentication Unlicensed Licensed |
251 |