University of Toronto Press
Mediatic Shakespeare
About this book
Shakespeare produced his works during a media shift that was unmatched – until our own.
Mediatic Shakespeare by media theorist Richard Cavell examines how Shakespeare’s writing engaged with the cultural upheaval of an era shifting rapidly from spoken traditions towards print materials. Cavell argues that print was an active cultural force that was in the process of reshaping Shakespeare’s world and work. Nostalgic for oral communality, Shakespeare engaged guardedly with print, producing a media dynamic that resonates throughout his work.
Drawing on media theorists from Marshall McLuhan to Friedrich Kittler and Bernhard Siegert, Cavell traces Shakespeare’s engagement with the effects of a media ecology in which knowing and being were aggressively in flux.
Structured across four chapters, Mediatic Shakespeare explores Shakespeare’s media ecology, the unsettling interfaces of orality and literacy, the breakdown of the sensus communis, and the implications for his work of the printing involution.
Author / Editor information
Topics
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Frontmatter
i -
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Contents
vii -
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List of Illustrations
ix -
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Acknowledgments
xi -
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Introduction Mediatic Shakespeare
1 -
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Chapter One “Offices ... of mediation”: Shakespeare’s Media Ecology
9 -
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Chapter Two “Speech ... well penned”: Interfaces of Orality and Literacy
41 -
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Chapter Three “Th’untuned and jarring senses”: The Breakdown of the Sensus Communis
88 -
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Chapter Four “A copie out of mine”: The Printing Involution
131 -
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Conclusion From the Songs of Apollo to the Words of Mercury
168 -
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Notes
175 -
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Bibliography
249 -
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Index
273