Drawing the Curtain
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Edited by:
Esther Fernández
and Adrienne L. Martín
About this book
Drawing the Curtain examines the ways in which Miguel de Cervantes experiments with theatre and exploits theatricality in his diverse literary creations.
Author / Editor information
Esther Fernández is an associate professor in the Department of Modern and Classical Literatures and Cultures at Rice University.
Martín Adrienne L. :
Adrienne L. Martín is a professor emerita of early modern Spanish literature and culture and former Vice Provost-Global Affairs at the University of California, Davis.
Reviews
“This collection of essays stands as a fantastic example of how differing cultural studies approaches can be used to examine a single thematic, in this case Cervantine theatricality. Individually, each chapter represents a well-researched and incredibly insightful investigation into studies on theater and Cervantes on whole. In short, it is a collection of essays that presents value for graduate students and well-established scholars alike.”
Chad M. Gasta, Professor and Chair of Languages, Literatures & Cultures, University of :
"Drawing the Curtain is one of the only studies to examine notions of theatricality and performance in both drama and prose written by one of the world’s greatest authors, Miguel de Cervantes. Strategically conceived, elegantly organized and presented, and wonderfully complementary in approach and coverage, this book is a must-read for all who seek to unravel the complexities inherent in Cervantes’s fascination with performance. Fernández and Martín have achieved a milestone that will have a broad impact on Cervantes’ studies."
Barbara Fuchs, Distinguished Professor of Spanish and English, University of California, Los Angeles:
"This incisive, thoughtful collection illuminates Cervantes’s engagement with theatricality as he creates performative spaces on the page as on the stage. Marvellously fresh and relevant for students of both Cervantes and theatre across the ages."
Topics
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Esther Fernández and Adrienne L. Martín Requires Authentication Unlicensed Licensed |
1 |
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PART ONE Alternate Theatricalities in Cervantes’s Drama
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Bruce R. Burningham Requires Authentication Unlicensed Licensed |
17 |
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John Slater Requires Authentication Unlicensed Licensed |
42 |
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Sonia Velázquez Requires Authentication Unlicensed Licensed |
72 |
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Julia Domínguez Requires Authentication Unlicensed Licensed |
99 |
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Sherry Velasco Requires Authentication Unlicensed Licensed |
126 |
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Ana Laguna Requires Authentication Unlicensed Licensed |
150 |
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Esther Fernández and Adrienne L. Martín Requires Authentication Unlicensed Licensed |
177 |
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PART TWO Acts of Disclosure in Cervantes’s Prose
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B. W. Ife Requires Authentication Unlicensed Licensed |
201 |
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Catherine Infante Requires Authentication Unlicensed Licensed |
221 |
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Mercedes Alcalá Galán Requires Authentication Unlicensed Licensed |
243 |
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Paul Michael Johnson Requires Authentication Unlicensed Licensed |
277 |
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Eduardo Olid Guerrero Requires Authentication Unlicensed Licensed |
306 |
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José R. Cartagena Calderón Requires Authentication Unlicensed Licensed |
331 |
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355 |
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357 |