The Quiet Avant‐Garde
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Danila Cannamela
About this book
The Quiet Avant-Garde explores how crepuscularism and futurism, two early-twentieth-century Italian movements, have redefined the relation between the human and the nonhuman.
Author / Editor information
Danila Cannamela is an assistant professor in the Department of Modern and Classical Languages at the University of St. Thomas.
Reviews
"Engaging, important, and well researched, The Quiet Avant-Garde argues that Italy’s avant-garde blurs the boundary between human and non-human at the start of the twentieth century, drawing readers’ attention to the vibrant agency of a wide range of matter as represented in futurist and crepuscular writing."
Matteo Gilebbi, Department of French and Italian, Dartmouth College:
"The Quiet Avant-Garde is an important contribution to the research on Italian modernism and avant-garde movements and an inspiring work of literary criticism that successfully engages with posthumanism and other current philosophical and literary theories."
Topics
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Frontmatter
i -
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Contents
v -
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Acknowledgments
vii -
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Abbreviations
ix -
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Introduction: Poetry at the Twilight
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1. A Matter of Things: Modernity, Modernism, Avant-Garde
30 -
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2. The Avant-Garde Is Made of Useless Objects
75 -
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3. Being a Living Thing: Towards a New Notion of Body
125 -
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4. Love and the Grand Solidarity of Sound
178 -
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5. Avant-Garde Immersive Onto-Cognition
217 -
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Conclusion
259 -
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Notes
267 -
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Bibliography
299 -
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Index
319