Comfort and Domestic Space in Modern Spain
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Edited by:
Susan Larson
About this book
Author / Editor information
Susan Larson is the Charles B. Qualia Endowed Chair of Romance Languages at Texas Tech University.
Reviews
"What is well-being? What is a home? Employing a rigorous approach to cultural studies, Susan Larson manages to answer these questions, never so current as today, expertly tracing the tricky and exciting drawing of the popular culture of Spanish modernity through the examination of the imaginaries of comfort linked to domestic architecture."
Jordana Mendelson, Associate Professor, Department of Spanish and Portuguese , New York University:
“Pushing beyond inherited ideas about Spain’s relationship to modernity and modernization, Comfort and Domestic Space in Modern Spain asks readers to explore in a nuanced and culturally specific way what the home means for personal and collective identities when excavated through the cultural images, government regulations, and popular media of twentieth-century Spain. The essays in this collection – all of which emerged in the aftermath of the COVID-19 pandemic – offer bold, original readings of the domestic and institutional spaces we inhabit, but rarely write about, that are critical to thinking anew about such crucial and, as we have learned, interdependent topics as intimacy and confinement.”
Juan Calatrava, Full Professor of Architectural History, University of Granada:
“In this brilliant collective work, the effective editing work of Susan Larson offers us sixteen contributions that constitute an interdisciplinary research about the relationships between architecture, domestic space, and comfort and about the representation of this problem in contemporary Spanish cinema. It is a fundamental book not only for its essential contribution to the knowledge of architecture and cinema of contemporary Spain, but also for its status as a methodological model for the study of the relationships between architecture and other areas of contemporary culture.”
Topics
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Frontmatter
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Contents
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Acknowledgments
ix - Section I Key Questions and Possible Approaches
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1 Comfort and Domestic Space in Modern Spain: What Does It Mean to Be at Home?
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2 “By Which Ritual Was the House of Our Life Erected”?
29 - Section II The Real and Imagined Spaces of the Living Room, Kitchen, Bath, and Bedroom
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3 The Living Room and the Public Rise of the Private Human Condition
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4 The Multimedia Meanings of the Modern Kitchen
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5 From Social Cult to Personal Well-Being: The Real and the Cinematic Bathroom at the Centre of the Domestic Project
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6 Inside the Bedroom: Between Constraint and Emancipation in Twentieth-Century Cinema and Architecture
117 - Section III Comfort and Domestic Space in Spanish Popular Culture, 1896–1960
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7 A Brief History of Domestic Space in Early Spanish Cinema, 1896–1939
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8 The Modernization and Mechanization of the Kitchen as a Female Space in Spanish Cinema, 1940–1960
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9 From Functional Hygiene to Unattainable Sensuality: The Bathroom in Spanish Cinema and the Press during the Franco Regime, 1939–1960
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10 Together, Alone, and in the Same Place: The Cinematic Living Room in 1950s Spain
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11 Exposed Intimacies and Domestic Spaces: Bedrooms in Spanish Cinema, 1939–1960
233 - Section IV Comfort and Domestic Space in Spanish Popular Culture since 1960
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12 What’s Cooking in Almodóvar’s Kitchens?
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13 Sensorial, Private, and Porous: The Bathroom as a Space of Regeneration in Post-Franco Cinema
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14 Comfort with(out) Comfort: New Couches and Conflicting Values in the Late Franco Comedy
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15 Bedroom Fantasies: Filming Intimacy in 1960s Spain
308 - Epilogue
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16 “Qué casa tan … acogedora”: Gendering Comfort and Domestic Space in Pedro Almodóvar’s ¿Qué he hecho yo para merecer esto!
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Contributors
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Index
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Toronto Iberic
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