Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Abbreviations vii
4. Acknowledgments ix
5. Introduction: Approaching Suspension 3
6. 1. Coleridge, Suspension, and the Sublime 21
7. 2. Semblances of Truth in “Christabel” and Aids to Refl ection 50
8. 3. Ecstatic Suspension in Shelley’s “Universe of Things” 85
9. 4. Tennyson and the Rhetoric of Suspended Animation 115
10. 5. Christina Rossetti’s Poetic Faith 147
11. Conclusion: Over, Again 175
12. Notes 179
13. Bibliography 201
14. Index 215